Ken Berg: spartiti Gospel

Now available in a treble voicing, this energetic spiritual features a soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion making t...

Now available in a treble voicing, this energetic spiritual features a soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion making t...

A lively and rhythmic spiritual arrangement with excitement from beginning to end! The melody of the refrain is well supported by a steady ostinato-like vocal accompaniment. All voices come together o...

A modern arrangement of a traditional gospel tune, this is a swinging, fun piece for high school SATB. Comfortable vocal range for all parts. Great concert closer!

Ken Berg's vibrant, exciting version of this traditional spiritual will lift the spirits of singers and listeners. Inject high energy into your concert with its contemporary sound and rhythmic drive!

A soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion make this energetic spiritual setting a first-rate showcase for mixed choirs!...

A soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion make this energetic spiritual setting a first-rate showcase for mixed choirs!...

If you need a concert closer, look no further! For mixed divisi voices a cappella, this original spiritual/gospel song calls for an advanced chorus with a capable soloist. Use it to close your next co...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

Ken Berg's arrangements have been receiving acclaim from choirs and audiences across the nation. This fiery arrangement of the traditional spiritual combines driving rhythms and captivating harmonies...

This arrangement of the traditional spiritual simmers and then comes to a full boil! Your singers will beg to sing it! Available: SSA. Performance Time: Approx. 3:20.

A great spiritual for good middle school choirs! Its format of call-and-response requires a strong soloist (or a string of them), with the choir. Truly inspiring and with great energy! Duration: ca. 3...

Here is an African American Spiritual with a positive message and a vocal range perfect for young singers. Repetition makes this easy to learn and the swing style makes singers and listeners alike smi...

Here is an African American Spiritual with a positive message and a vocal range perfect for young singers. Repetition makes this easy to learn and the swing style makes singers and listeners alike smi...

This arrangement of the beloved spiritual makes a great addition to middle school and community treble choirs with its dynamic vocal parts and spirited piano accompaniment. The water image reminds us...

This arrangement of the beloved spiritual makes a great addition to middle school and community treble choirs with its dynamic vocal parts and spirited piano accompaniment. The water image reminds us...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singer...

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singer...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singe...

Arranger Ken Berg (Birmingham Boys Choir) has given us a superb setting of the Howard Walter I Would Be True poem that is often set to the Scottish-Irish folk song Londonderry. An optional flute (C in...