Johann Sebastian Bach: spartiti medio

Dieser Titel orientiert sich an der gleichnamigen Saxophonversion. Erwurde, wo notwendig, an den Tonumfang der Blechblasinstrumente angepasst. Besetzung 1. Stimme: Trompete 1 2. Stimme: Trompete 2 3....

This very popular piece has been arranged many times for various instruments. It has been adapted here for 2 euphoniums, 2 tubas. The chorale is played before the popular triple metre theme. All voice...

Have Mercy, Lord from J. S. Bach's St Matthew Passion is one of the most beautiful arias from the baroque period. In Philip Sparke's arrangement, it is envisaged that the soloists stand together as a...

J.S. Bach's Wachet Auf has been arranged almost as many times as Pachelbel's Canon. In many ways this new version is far more interesting than the original. Easily accessible to a high school woodwind...

È difficile trovare un'opera di un contemporaneo con cui Bach si sia occupato così spesso e intensamente come con la "Passione di San Marco" di Keiser. In totale si possono dimostrare tre esecuzioni,...

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott, Horn (2), Streicher, Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Streicher, Basso continuo - Partitur

Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe

The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20t...

La prima versione della cantata della Riforma "Eine feste Burg ist unser Gott" BWV 80b, pubblicata per la prima volta in un'edizione pratica da Carus-Verlag, è rimasta sconosciuta agli studiosi di Bac...

Per questa cantata corale Bach utilizzò le strofe 1, 4 e 7 dell'omonimo corale di Georg Neumark. Le altre strofe, tuttavia, sono state mescolate con liberi adattamenti.

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

Grazie al suo popolare testo corale, la cantata corale di Bach "Lobe den Herren, den mächtigen König der Ehren" BWV 137 è stata a lungo una delle opere del cantore Thomas più frequentemente eseguite....

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...