James Curnow: spartiti medio

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

This nicely paced and skillfully orchestrated suite characterizes the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Brisk and inviting! This joyful and familiar melody by Ludwig Van Beethoven will quickly become a staple of your music library when you add it to your permanent collection. Articulation and dynamic co...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...

Here's a superb way to introduce your band to the joys of early instrumental music. Jim Curnow's well-conceived transcription is based on three 16th Century dances by Susato: I. Las Mourisque (Basse D...