Hal Leonard spartiti per banda

Here's a super medley for a winter program that includes some all-time holiday favorites. Includes: Let It Snow, Frosty the Snow Man, and more.

Containing overtones of both classical and commercial musical elements, this powerful anthem became the official broadcast media theme for the 2010 Winter Olympics. This majestic setting by Michael Br...

Looking for a change of pace for your next concert? Instantly recognizable and filled with characteristic Spanish stylings, this effective arrangement is sure to be a hit with all audiences.

As performed by The Atlanta Youth Symphony and Children's Choir at the closing ceremonies of the Olympics.

Commissioned by the Iowa Bandmasters Association, this dynamic new work from Michael Sweeney is written in three contrasting sections. The opening Lament features a plaintive F Horn melody and expansi...

Playing one wrong note can ruin the performance of a piece, right? Well, composer Thomas Duffy actually wants the performers to make mistakes in this clever composition! The precise imprecision comes...

Includes: At Dawn They Slept (December 7, 1941), Farandole (from L'Arlesienne), As All the Heavens Were a Bell, Russian Easter Overture, The North Face, Dies Irae, Into the Light, Fanfare and Hymn of...

Using melodic fragments from each of the six movements of Percy Grainger's Lincolnshire Posy as foils for each other, Steven Bryant has created a unique and brash experiment in musical juxtaposition!...

Using melodic fragments from each of the six movements of Percy Grainger's Lincolnshire Posy as foils for each other, Steven Bryant has created a unique and brash experiment in musical juxtaposition!...

MusicWorks - Grade 5 Think of a 100-yard dash for winds and percussion and you'll get a good idea of Richard's approach on this amazing composition. With dazzling flourishes and intense percussion sco...

MusicWorks - Grade 3 Here is a marvelously appealing work suitable for contest or concerts composed in two main sections. The melodic and reverent Ballad is richly scored and contains nicely contrasti...

Rise is abstract in that there is no extra-musical imagery or narrative structure associated with the music. It is a lush adagio built upon a repeated cycle of chords ascending in stepwise motion. The...

Commissioned by Ed Nagel and the Fairborn High School Band in celebration of the Centennial of the Wright Brothers' first powered flight. Wings That Work was written in celebration of the dedicated, i...

MusicWorks - Grade 1 This traditional style march for very young players has all the right ingredients to become a winner. From the tutti first strain, to the percussion break, to the woodwind trio an...

Includes: Windsprints, Snow Caps, Persistence, Awakening Hills, Flight of the Thunderbird, Triumphant Fanfare, Fantasy on an Irish Air, Rendezvous with the Other Side, Spirit of the Falcon and Nightso...

Includes: Le Sabre, March for a Festive Occasion, Tidewater, Mustang, Grand Island Parade, The Showstopper, Colonel Bogey March, Harmonious Blacksmith, Dorchester (Concert March), Dixieland Ramble, Pa...

Includes: Wilderness Scenes, River of the Ancients, Kinesis, Dialogues (for Winds and Percussion), Out of the Shadows, Pictures at an Exhibition, Distant Thunder of the Sacred Forest, Down by the Sall...

New accompaniment CD available for the acclaimed Concert and Contest Collection series. Now students can perform with high quality recordings. CD includes full performances by professional players as...

Written as a follow-up to his wildly successful composition Ride, this new work from Samuel Hazo was commissioned by the Wenger Corporation and premiered at the 2006 Midwest Clinic in Chicago. Like it...

Written as a commission for the Palmetto Consortium of South Carolina, this expansive work explores the delight, wonderment and excitement of a young boy's hopes and dreams. Several stylistic elements...

The early American hymn tune Nettleton is creatively arranged in this beautful setting by Johnnie Vinson. Using the horns as a focal point for the first section and followed by a lyric section scored...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...

F. E. Bigelow composed Our Director in 1892, and in the decades that followed it became widely used in such diverse settings as silent films, vaudeville, World War I, and adapted as college fight song...