Hal Leonard spartiti orchestra jazz

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Using a relaxed 'bolero' style, Michael Mossman's inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. You'll find cascading ensemble figures, interwe...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...