Duke Ellington: spartiti difficile

This great chart is recorded (1999) on the Azica CD Swingin' the Blues. Holman grabs this simple Ellington tune and runs with it. The arrangement is yet another amazing example of Bill Holman's extrao...

Nelson wrote an album for Johnny Hodges (Black, Brown and Beautiful, RCA) featuring the compositions of Duke Ellington and also some of his original things. This Ellington tune starts out with a rhyth...

Capable quartets will love this impressive arrangement of the great Duke Ellington classic. The easy swinging adaptation offers each player a turn at the melody and features a written soprano (or alto...

Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basi...

Jeep's Blues is one of many blues lines written by Ellington's star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges' name in the late 1930's. It's basi...

Includes five movements: 'Morning Mood,' 'Hall of the Mountain King,' 'Solvejg's Dance,' 'Ase's Death,' and 'Anitra's Dance.' Instrumentation is 5 saxes (clarinet doubles), 4 trumpets, 3 trombones, pi...

Includes five movements: 'Morning Mood,' 'Hall of the Mountain King,' 'Solvejg's Dance,' 'Ase's Death,' and 'Anitra's Dance.' Instrumentation is 5 saxes (clarinet doubles), 4 trumpets, 3 trombones, pi...

One of the most moving pieces in the repertoire, a beautiful and devastating alto feature.

A beautiful alto saxophone ballad, the tempo is around 72 BPM and the instrumentation is 5 saxes, 1 trumpet, 3 trombones, piano, bass, drums. Edited and adapted in exacting detail.

'Tattooed Bride' is Ellington's masterpiece from 1948 - a through-composed, 11-minute jazz symphony. Prominently featuring the clarinet, each of the four sections contrast in mood, tempo, and dynamics...

In a Mellow Tone fu scritta da Duke Ellington e fu un successo per la sua band e per quella di Count Basie. Lo schema di Basie è stato segnato da Frank Foster, e la nostra versione è strettamente mode...

Scritta da Duke Ellington e originariamente intitolata Concerto for Cootie, Do Nothing Till You Hear From Me è stata coverizzata da tutti i grandi cantanti, compresi Ella e Sinatra. Questa versione è...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.