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The singing style of Puccini's most famous aria translates wonderfully for string orchestra with this new arrangement by Ted Ricketts. This edition provides ample opportunity to teach both sensitive,...

The singing style of Puccini's most famous aria translates wonderfully for string orchestra with this new arrangement by Ted Ricketts. This edition provides ample opportunity to teach both sensitive,...

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

This simplified arrangement of the overture to Apollo et Hyacinthus (possibly Mozart's first real opera) works very well for young orchestras, with lots of juicy, fun passages for all the instruments.

Text by William Blake.

Text by William Blake.

Text by William Blake.

Text by William Blake.

Text by William Blake.