Coro misto con pianoforte

Eleven Gospel Songs For Mixed Voices Weitere brandneue Songs, die im vergangenen Jahr bereits hunderte von Workshop-Sängerinnen und -sängern begeisterten - das ist die neueste und dritte Sammlung in d...

Gospelmusik beschreibt das Leben in der 4. Dimension - dem Leben mit Gott. Niko Schlenker findet in seiner neuen Sammlung auch zu diesem Thema den richtigen Ton. 11 charaktervolle Songs machen einfach...

Gospelmusik beschreibt das Leben in der 4. Dimension - dem Leben mit Gott. Niko Schlenker findet in seiner neuen Sammlung auch zu diesem Thema den richtigen Ton. 11 charaktervolle Songs machen einfach...

Mal mitreißend und beschwingt, dann meditativ und gefühlvoll; in dieser Ausgabe gelingt es Hubert Zaindl eine Vielzahl von Stimmungen zu schaffen. Mit den fünf modernen Songs für gemischten Chor und B...

Vocal Jazz has never been this fancy-free in the capable hands of composer/vocalist/lecturer Rosana Eckert. 'It's not the color of your hair, it's what you say and what you do' rolls off the tongue wi...

Vocal Jazz has never been this fancy-free in the capable hands of composer/vocalist/lecturer Rosana Eckert. 'It's not the color of your hair, it's what you say and what you do' rolls off the tongue wi...

Workable as single anthems or as a multi-song musical presentation, this collection by Mark Brymer will be a useful tool for student choirs of all ages. The various accompaniment products will be espe...

Now available for young mixed choirs! This dramatic work uses the style and methods of the late baroque period as introduction to the classics. The tenor and bass parts will work well with any age, in...

Teach Us, O Lord is the fifth of Five Easy Hymn Anthems on Original Texts and Tunes, a collection created as a somewhat delayed reaction to 9/11. It is for two-part choir (any configuration of high/lo...

The Storm, now available in a new SAB(opt. T) voicing tailored for smaller choirs, makes use of octave doubling between soprano/tenor and alto/bass throughout. Ranges cater to developing voices. The r...

Davison l'ha fatto di nuovo nel suo arrangiamento in stile barocco, ritmicamente carico e con intervalli limitati, per cori misti di voci in via di sviluppo. Questo brano ha una "parte alta" e una "pa...