Coro misto con pianoforte

Pure excitement. Lots of repetition of the chorus makes Glorificamus Te easy to learn. It's a must for your 3-part mixed choirs. Limited vocal ranges, yet every part gets the melody. Brass and timpani...

After hearing the opening piano introduction, you know something special is about to happen. . . and it does! A haunting, unforgettable Greg Gilpin melody unfolds skillfully with fluid voice leading....

After hearing the opening piano introduction, you know something special is about to happen. . . and it does! A haunting, unforgettable Greg Gilpin melody unfolds skillfully with fluid voice leading....

Ecco un'esuberante selezione da concerto e da concorso, adatta a cori misti a 3 parti (con una gamma conservativa di Fa-D per la Parte III). Basato su un'unica frase latina e una in inglese, il tema d...

Here's a jubilant concert and contest selection that's just right for 3-part mixed choirs (with a conservative F-D range for Part III). Based on a single Latin phrase and one in English, the dance-lik...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...

This publication provides the Agnus Dei movement found in Mozart's 'Missa brevis in G,' K.49. In Mozart's time, a Missa brevis (brief Mass) was quite concise and few instruments were employed, since i...

This publication provides the Agnus Dei movement found in Mozart's 'Missa brevis in G,' K.49. In Mozart's time, a Missa brevis (brief Mass) was quite concise and few instruments were employed, since i...

A bright, upbeat approach to this traditional lyric. The antiphonal combination of the Latin and English texts is very effective. Introduce your group to a successful musical experience with this wond...

A bright, upbeat approach to this traditional lyric. The antiphonal combination of the Latin and English texts is very effective. Introduce your group to a successful musical experience with this wond...

An exciting choral work mixing traditional Latin with a fresh, new English text. The strong rhythmic pulse of the opening and closing melody contrasts with a chant-like middle section. For choirs of a...

Sherri Porterfield is fast becoming one of today's most versatile choral writers. This lush work with an easy piano accompaniment is beautiful in its simplicity. The ABA form makes it easy to teach, b...

A classic new edition of the choral masterpiece from Handel's Judas Maccabaeus. Patrick Liebergen has carefully edited this work from an 1866 German publication, reducing the instrumental accompanimen...

A classic new edition of the choral masterpiece from Handel's Judas Maccabaeus. Patrick Liebergen has carefully edited this work from an 1866 German publication, reducing the instrumental accompanimen...

Sherri Porterfield follows her highly successful 'Kyrie' and 'Agnus Dei' with this lush, flowing choral work. Like all of Sherri's music, SANCTUS is easy to teach, yet musically rewarding for both you...

Sherri Porterfield follows her highly successful 'Kyrie' and 'Agnus Dei' with this lush, flowing choral work. Like all of Sherri's music, SANCTUS is easy to teach, yet musically rewarding for both you...

An easy-to-read Haydn masterwork skillfully edited for today's choirs by Patrick Liebergen. The strong accompaniment (piano or organ) and dramatic dynamic changes make this piece an ideal Classical ch...

An easy-to-read Haydn masterwork skillfully edited for today's choirs by Patrick Liebergen. The strong accompaniment (piano or organ) and dramatic dynamic changes make this piece an ideal Classical ch...

La cantata "Wie schön leuchtet der Morgenstern" (BWV 1) fu composta il 25 marzo 1725, quando la festa dell'Annunciazione coincideva con la Domenica delle Palme. L'ignoto librettista ha mantenuto le st...

Kantate zum 3. Sonntag nach Trinitatis. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Posaune (4), Pauke, Violine (2), Viola, Basso continuo - Klavier...

La cantata "Ich hatte viel Bekümmernis" fu composta intorno al 1713 e fu probabilmente eseguita dal compositore per la prima volta nello stesso anno alla Liebfrauenkirche di Halle. Probabilmente fu as...

Bachs Kantate zum 1. Sonntag nach Trinitatis, erstmals aufgeführt im Jahr 1726, gehört zu den musikalisch reizvollsten Kompositionen des Thomaskantors. Der opulent angelegte Eingangschor veranschaulic...

La cantata di Bach per la prima domenica dopo la Trinità, eseguita per la prima volta nel 1726, è una delle composizioni musicalmente più attraenti del cantore Thomas. L'opulento coro iniziale illustr...

Die Entstehung der Kantate 'Lobe den Herrn meine Seele' BWV 143 liegt weitgehend im Dunkeln. Als einzige Quelle galt lange Zeit eine Abschrift aus dem 19. Jahrhundert. Diese lag auch dem Notentext der...