Coro misto con organo

With "Peace op. 43", published by the renowned Schott Musik, ambitious vocal ensembles will discover a deeply moving work of extraordinary sonic splendor. Composed for eight-part mixed choir and organ...

For Cantor, Congregation, Four-Part Chorus of Mixed Voices and Organ.

From the Cantata 'Hymn Of Praise'. For 2 Soprano Soloists, SATB Chorus and Organ.

For two solo voices (tenor and baritone) and mixed chorus, interspersed with hymns to be sung by the congregation. This work depicts the last few days of the Saviour's life. The rejoicing of the multi...

A short cantata for soprano and baritone soli, chorus and organ.

This edition of Alessandro Scarlatti's finest and most extended piece of liturgical music presents it for the first time in a full score which aims to meet the requirements of both the performer and t...

For Soprano, SATB Choir and Organ.

Anthem for soprano and baritone soli, SATB chorus and organ accompaniment. Words by Isaac Watts. Commissioned for the Patronal Festival of St John the Bapist, Leytonstone, June 1962.

1964 setting for Soprano and Baritone Soloists, SATB Choir and Organ.

Verse Anthem for Soli ATTB, SATB Choir and Organ. Edited by Edward J. Dent.

A Verse Anthem for Whitsunday for SSB Soli, SSATB Choir and Organ. Transcribed and edited by Peter Aston. Editorial Notes and Textual Commentary included.

Verse Anthem for Good Friday for Soprano and Bass Soli, SSATB Choir and Organ. Transcribed and edited by Peter Aston.

A Sequence for Epiphany for Solists, SATB Chorus, Organ and Congregation ad lib. Words from the New Testament, The Russian Orthodox Liturgy (trans. David Craig), Bishop R Heber (1783-1826), Richard Cr...

Mass taking text from the Anglican Liturgy Rite B. For Soprano, Tenor and Bass Soloists, SATB Choir and Organ.

Mirror of Perfection è stato commissionato dalla Royal Ballet School nel 1996. Le parole sono ambientate in poesie fino ad allora sconosciute di San Francesco d'Assisi e coprono un'ampia gamma espress...

Let God Arise' was written by Purcell before 1679 for use in the Chapel Royal. It is arranged here for two tenors, a chorus (soprano, alto, tenor and bass) as well as the organ.

Israfel is an arranged excerpt from The Ecstasies Above. The latter was commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale...