Coro femminile con orchestra

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase “Gloria in Londinium, invictus, invicta” to symbolize the co...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

Le parti vocali fluide sostengono il testo espressivo: Dove ci sono la carità e l'amore, c'è Dio, e questo brano celebrativo rappresenta magnificamente questo messaggio universale. Una scelta eccellen...

Already a success with advanced high school and college choirs in its mixed and men's versions, this impressive, yet romantic piece, in a new treble chorus setting, is well-suited for festival high sc...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...

This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...

Upbeat and uptempo, this joyous anthem could be used in both worship and concert, and its accessible vocal writing alternates between unison and harmonic passages. A straightforward piano part further...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...