Coro femminile con ensemble

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The text for these two companion pieces might provide an opportunity to do some teaching on the importance of proper punctuation. For a little comic relief, try this winner with your women's choir.

Instumentation: Piano, Harp, Cello, and Flute (optional)

This piece was written for a choral festival where numerous choirs were present. Here, each choir represents a different animal or insect in the poem and sings a verse assigned to its own melody. The...

For three-part treble voices, solo, and piano or harp, this lullaby works with all ages!

This is a memorial work for treble voices with piano and C instrument. From an anonymous text, the work is a moving crossover between the secular and sacred.

Looking for a piece for the women in your church choir? This energetic work is truly full of life and excitement. Give it a try on music ministry Sunday. Originally for mixed chorus (HMC1900)

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

Originally scored for three part mixed chorus (HMC1778), here Tom Shelton sets the Emily Dickinson text for SSA chorus and piano. Try it during American music month

Tom Shelton is a master writer for young voices and this work for three-part treble chorus with piano and optional wind chimes is no exception.

This remarkable trio is taken from Bach's Magnificat in D Major (BMV 243). Scored for SSA chorus and keyboard, the work is an example of the great master's brilliant contrapuntal writing. Very effecti...

The original SAB setting (HMC720) of this piece is one of Carl Nygard's most successful publications. Set here for SSA treble voices with piano, try it with junior or high school voices, or even adult...

This piece for two-part treble voices with piano was set to a poem by then fifth grader Noor Al-Sibai. Written in 2002, thoughts at the time were reminiscent of September 11, 2001. The piece works wel...

Olivia Anderson and Allison Delargy, students at the Durham, NC School of the Arts, wrote this text in honor of their choral teacher Ms. Scott hill upon her retirement. Tom Shelton has masterfully set...

There are more voicings available for this piece than any other work in the Hinshaw catalogue (SATB, SAB, 2-part, and TBB). Now set for SSA voices with piano, the work is useful in building independen...

Originally written for mixed voices (HMC1940), Larry Shackley provides us with a very effective treble chorus voicing. This beautiful lyric melody would be great for lessons and carols, Christmas Eve,...

This moving piece for treble voices with piano and optional C instrument may be 'secular' but has a very deep message to convey. It is probably best with mature high school students or adults on a spr...

Scored for treble choir (SSAA) with piano, this is a very popular English folk song, a true winner for your spring concert!

Originally commissioned for an ACDA children's honor choir, this work by Tom Shelton is scored for treble chorus (SSAA) with piano and cello. Try it with treble voices of all ages!

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning, the piece is scored for SSAA tr...

Scotland has given us a trove of folk tunes. Loch Lomond is one of the most popular. Here, Anne-Marie Hildbrandt beautifully captures the spirit of the piece and sets it for treble chorus in three-par...

Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now, is it available for treble chorus. Take special note of the information found on the cover page.

Thomas Bell has set this Swedish melody for treble chorus with piano. The accompaniment 'ripples' up and down the piano imitating the movement of water and the chorus sings above as if sailing on the...