Coro femminile a cappella

A great setting of the classic hymn text by Adelaide a Pollard.

From the Jean Ashworth bartle choral series for treble voices. The series offers two versions of this well loved piece: this one, (in the key of a-flat), is the easier one and can be used with smaller...

A suitable festival piece for treble voices, wonderful for Jr. high, children's choir, or easy adult choir

This excellent concert piece is perfect for a more advanced Jr. high/high school choir or a medium advanced adult choir. Ideal for a festival Accompaniment: trumpet and piano, or full orchestra.

Great for just about any choir, this delightful new Christmas octavo has original words and music by Matthew Armstrong.

Another Christmas piece from the Jean Ashworth Bartle series, this is the shepherds and angels part of the story. Accompaniment calls for piano and recorder.

In this familiar lullaby from the Jean Ashworth Bartle Series, Isaac Watts compares our babes to baby Jesus in the manger

Recommended by master teacher Jean Ashworth Bartle, this work for three-part treble voices by Canadian composer Ruth Watson Henderson is based on a set of riddles. One part of the chorus sings the rid...

Traditionally a love song, this air from Northumbria is written for treble voices (SSA) accompanied by piano. Arranged by Samuel Adler, a prolific composer and conductor, it is of medium-easy difficul...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The text for these two companion pieces might provide an opportunity to do some teaching on the importance of proper punctuation. For a little comic relief, try this winner with your women's choir.

Instumentation: Piano, Harp, Cello, and Flute (optional)

This piece was written for a choral festival where numerous choirs were present. Here, each choir represents a different animal or insect in the poem and sings a verse assigned to its own melody. The...

For three-part treble voices, solo, and piano or harp, this lullaby works with all ages!

This is a memorial work for treble voices with piano and C instrument. From an anonymous text, the work is a moving crossover between the secular and sacred.

Looking for a piece for the women in your church choir? This energetic work is truly full of life and excitement. Give it a try on music ministry Sunday. Originally for mixed chorus (HMC1900)

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

Originally scored for three part mixed chorus (HMC1778), here Tom Shelton sets the Emily Dickinson text for SSA chorus and piano. Try it during American music month

Tom Shelton is a master writer for young voices and this work for three-part treble chorus with piano and optional wind chimes is no exception.

This remarkable trio is taken from Bach's Magnificat in D Major (BMV 243). Scored for SSA chorus and keyboard, the work is an example of the great master's brilliant contrapuntal writing. Very effecti...

The original SAB setting (HMC720) of this piece is one of Carl Nygard's most successful publications. Set here for SSA treble voices with piano, try it with junior or high school voices, or even adult...

This piece for two-part treble voices with piano was set to a poem by then fifth grader Noor Al-Sibai. Written in 2002, thoughts at the time were reminiscent of September 11, 2001. The piece works wel...

Olivia Anderson and Allison Delargy, students at the Durham, NC School of the Arts, wrote this text in honor of their choral teacher Ms. Scott hill upon her retirement. Tom Shelton has masterfully set...