Coro femminile a cappella

Version for A Cappella SSAA Choir. Text: Gerard Manley Hopkins

Originally composed for Anton Armstrong and the St. Olaf College Choir, this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA perform...

This substantial collection of medieval songs is a perfect introduction to the treasures of an extraordinary and colourful musical period. Sacred settings, including the ever-popular Gaudete and There...

Swiss composer Ivo Antognini has created a beautiful and transparent setting of this standard text of mercy and peace. At times sounding like Gregorian chant and at other times completely contemporary...

Questa vivace rivisitazione dell'inno tradizionale è un emozionante arrangiamento a cappella che abbina l'impetuosa melodia legata a un ritmico accompagnamento vocale. Insieme, questi elementi cattura...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early spring. The central movement, 'Fearle...

Nach einer anstrengenden Chorprobe gibt es ein leckeres 'Likörchen für das Frauenchörchen'. Eine nicht ganz ernst zu nehmende Humoresque für Frauenchor.

Based on a text by Tennessee Reed, the 11 year-old daughter of author Ishmael Reed. Though originally scored for four female voices, Three Heavens and Hells was envisioned as a work for children's cho...

13 britische und irische Folksongs für zwei und drei Frauenstimmen a cappella Chorausgabe ohne CD Diese 13 Folksongs sind für Frauenchöre und Oberstimmen jeden Alters bestimmt, die sich daran erfreuen...

Selected for the William Powell Choral series, this encouraging choral contains both inspirational words and music by Gwen McLeod Hall. It is a message of hope, where singing serves as the disarming w...

Jewish gospel? Of course! Sherry Kosinski helps usher TMP into a new genre. This is sure to be a hit with a temple choir looking to spice up Shabbat, a gospel choir looking to include Old Testament He...

The flowing, contrapuntal movement in Cantor Davidson's setting of Psalm 121 (A song of ascents...) is at once modern and madrigal, and provides options for singing in English, Hebrew, or both.

Originally composed for Anton Armstrong and the St. Olaf College Choir, this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA perform...

A wonderful selection, this octavo offers two settings of the same melody: SSA voices for processional use, with three soloists; and the more developed SSAA arrangement for concert purposes, with sopr...

Now available in men's and women's groups settings, the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.

Now available in men's and women's groups settings, the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

Incorporating Albert Brumley's I'll Fly Away and the traditional spiritual, Now Let Me Fly, this exciting arrangement by Stacey Gibbs for women's choirs offers a sophisticated challenge with dramatic...

Stacey Gibbs uses his talent for reimagining the spiritual to set this beautiful version of Swing Low, Sweet Chariot for women's choirs. Your women's choir will appreciate the exciting challenge of th...

So fill to me the parting glass. Good night and joy be with you all. This traditional Celtic song makes a wonderful closing number or encore for a concert. Opt. flute or other C instrument.

So fill to me the parting glass. Good night and joy be with you all. This traditional Celtic song makes a wonderful closing number or encore for a concert. Opt. flute or other C instrument.