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Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and grows in texture throughout the piece...

This attractive setting of a text by Christina Rossetti combines a shapely melody with a gentle, rippling piano accompaniment. Ideal for Easter concerts and services.

This is a gentle, blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies, blues chords, and syncopation combine with the classic Chilcott sound to crea...

This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggestions.

A short, simple, but joyful piece that never raises its voice above piano.

This setting is faithful to the original folksong melody 'She's like the Swallow'. The straightforward piano part sets the mood, cleverly supports the voices, and helps illustrate the story of the tex...

This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. Orches...

The choral writing in this traditional hymn arrangement is straightforward but hugely effective.

From the upper-voice collection Times and Seasons, 'Night/Winter' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are b...

From the upper-voice collection Times and Seasons, 'Evening/Autumn' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, 'Midday/Summer' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, Morning/Spring' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

The title piece from a collection for upper voices, 'Hark, hark, the lark' is a setting by Alan Bullard of words from Shakespeare's Cymbeline. Scored for upper voices and piano, this serenely pastoral...

Originally published in Five Song for Upper Voices, this piece sets text by the ancient Chinese philospher Lau-Tzu, and explores the the idea that 'all things pass' in this ever-changing world. A cont...

With a text by Coventry Patmore, this short song in simple two part explores the timelessness of truth with a touch of melancholy. Originally published in Five Song for Upper Voices.

From the collection Hark, hark, the lark, 'Come unto these yellow sands' is a setting by Bob Chilcott of words from Shakespeare's The Tempest. This lively piece is scored for upper voices with piano,...

From the collection Hark, hark, the lark, 'Our revels now are ended' is a setting by Bob Chilcott of the famous monologue from Shakespeare's The Tempest. Scored for upper voices with piano, this rhyth...

From the collection For Him all Stars, 'Tomorrow shall be my dancing day' is an arrangement by Malcolm Pearce of the familiar carol. Scored for SA and organ, this accessible version features a support...

From the collection For Him all Stars, 'Cradle Song' is a wistful 3/4-time Christmas lullaby which sets a text by William Blake. Scored for SA and piano, it features gentle but persistently discordant...

Scored for SSA voices and piano, Susa ninna begins and ends as a soothing lullaby, while the second verse reaches an exciting climax expressing the celebration of Christ's birth. English words are pre...

An Australian Christmas paints a vivid picture of 'Christmas in the heat' - a time of bushfires and summer storms, when many enjoy long, hot, lazy days holidaying by the water's edge. Originally publi...

This carol belongs to the genre of folk variations on Lutheran hymns: the original hymn, with a text mostly by Luther, is Gelobet seist du, Jesu Christ. After being translated into Estonian, the text...

Libby Larsen's setting of this traditional Appalachian lullaby is simple and gentle, with the option for solo singing. Originally published in World Carols for Choirs.

Oi Bethleem! is a traditional Basque carol from Lapurdi in the French Basque Country. Its well-known melody was adopted by English carol composers after being published in a French collection in the l...

Bob Chilcott's arrangement of the Sussex Carol is a sprightly setting in 7/8. The verses are heard in unison, followed by two- and three-part canon, set against a cheerful piano figure. In the final v...