Coro a cappella misto

The text for this stirring New Mexico-inspired piece is a composite of words by both the poet D. H. Lawrence and composer Robert Kyr.

As part of my duties as composer-in-residence at Palmer Memorial Episcopal Church, Houston, Texas, I composed this brief work-in effect, a choral fanfare-for the beginning of the 2015 Christmas Eve Ma...

If Ye Love Me was composed as a reflective commentary on the well-known motet by Thomas Tallis (1505 1585). Homophony predominates in the first section but with clusters rather than the traditional ha...

This gentle life lesson and setting begins with the chorus acting as accompaniment to the soloist. Then the sopranos pick up the mantle of the soloist and the chorus sings the words together. The fina...

This setting pokes fun at all of the ways in which phrases about money are 'coined. ' The music is appropriately uncomplicated, and nearly always homophonic.

As the composer suggests in his program notes, the poem to which this music is set may 'appear on surface as being rather flippant but, underneath, is deadly serious. ' The same may be said of the mos...

This piece was written at the request of the composer's daughter who needed a Marian song for an M. M. recital focused on women in choral music. The music is based on the chant Salve Regina from the '...

A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of th...

This unusual setting uses a fresh text excerpted from the book, Back to the Ethic: Reclaiming Western Values by Diane Weber Bederman (Mantua Books, 2015). The music is very much a text painting, shift...

The conductor of Choral Arts Northwest, Robert Bode, asked the composer to write a work based on a text about The Blessed Virgin Mary. The final poem in Petrarch's most famous work, Il Canzoniere, wa...

In his brief poem Eternitie, Robert Herrick (1591 1674) imagines the immense awe that accompanies leaving this world and entering the next. A hint of longing for what was in the opening words, 'O Year...

A gentle, lyrical anthem suitable for a baptismal service, either as an immediate response (which would be quite moving) or elsewhere in the service. The composer has used his own new text, which is c...

A soaring, joyful, unaccompanied motet in F major. (Keyboard reduction provided.) Notated on five staves with the soprano 1 and 2 on their own staves. However, all parts below that also divide very oc...

The text for this carol was inspired by the priest Phillips Brooks' visit to Bethlehem in 1895. It was set to music by his organist at Trinity Church, Boston, Lewis Redner, in 1868. The arrangement us...

The 18th-century poem, Jesus Christ, the Apple Tree, found its way into an American hymnal compiled by Joshua Smith in 1784. Most often classified as a carol. A soprano soloist introduces the simple m...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

A set of four contrasting 'memorial dances' for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving,...

This serene music is an arrangement of Scene XIV from the composer's oratorio 'Paradiso, ' which is a setting of the third part of Dante's Divine Comedy (Commedia). The music is an evocation of Dante'...

Commissioned by the Radcliffe Choral Society and the Harvard-Radcliffe Collegium Musicum, this piece was created to celebrate the awakening and life-transforming power of music, as a force that enlive...