Coro a cappella misto

Using 14th-century plainsong as a point of departure, Richard Burchard masterfully crafts a stunning new SSATTB setting of the Latin text. This gorgeous hymn was written for Michelle Jensen's Sterling...

In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

Where Are You? Stephen Bock's poignant text asks where a loved one has gone, now that death has come. Burchard's setting for a cappella SATB divisi and two soloists, with its rising, searching motives...

This striking a cappella setting of Scarborough Fair is a perfect fit for advanced concert choirs, a cappella groups or vocal jazz ensembles at high school, university and community levels. Made famou...

This striking a cappella setting of Scarborough Fair is a perfect fit for advanced concert choirs, a cappella groups or vocal jazz ensembles at high school, university and community levels. Made famou...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Originariamente scritto e presentato in anteprima alla Carnegie Hall dal compositore, questo è il coro per eccellenza per l'unità musicale! Impostato in uno stile molto ritmico con parti opzionali di...

Originariamente scritto e presentato in anteprima alla Carnegie Hall dal compositore, questo è il coro per eccellenza per l'unità musicale! Impostato in uno stile molto ritmico con parti opzionali di...

Originariamente scritto e presentato in anteprima alla Carnegie Hall dal compositore, questo è il coro per eccellenza per l'unità musicale! Impostato in uno stile molto ritmico con parti opzionali di...

Originariamente scritto e presentato in anteprima alla Carnegie Hall dal compositore, questo è il coro per eccellenza per l'unità musicale! Impostato in uno stile molto ritmico con parti opzionali di...

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...

Non si cantano note! Invece, il discorso a 4 parti insegna il ritmo, la dinamica, lo stile, l'energia corale e può persino introdurre una coreografia o un semplice movimento. Le parti vocali possono e...

Looking for an arrangement to feature a great soloist while still highlighting your choir? Look no further. Stacey Gibbs' arrangement of Dottie Rambo's classic hit I Go to the Rock is full of rhythmic...