Coro a cappella misto

This Hal Hopson classic is appropriate for services where 'love' is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is ba...

A Scottish choral reel arranged from the Celtic dance tune Bodachan A Mhil Anna by J. Geddes Maxwell for mixed chorus. A Piano accompaniment is provided for rehearsal purposes only.

A cantata for tenor solo, SATB and orchestra, with words by H. W. Longfellow. This vocal score contains a piano reduction of the orchestral score.

Cana's Guest was written for the wedding of Kate and Andrew Trewhella, and was first performed on 19 August 2005 in the chapel of St. Michael & St. George, Wellington School, Somerset.

Love me sweet was composed for the occasion of the composer's wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning's ironic poem A Man's Requirements which ends...

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Fauré's Op. 35 setting of Armand Silvestre's poem is not widely known but is lovely. It was compose...

Novello proudly presents 'Selections from A Tender Light'; a matching folio for Paul Mealor's latest Choral album, including Ubi Caritas and A Spotless Rose. A Tender Light is a collection of new cho...

As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral, Oxford and later performed pu...

The Piece Farthest Shore was expertly composed by British composer, Paul Mealor. Farthest Shore was commissioned by the John Armitage Memorial Trust, St Davids Festival and Edinburgh Royal Choral Unio...

Love's As Warm As Tears was expertly composed by Paul Mealor. The piece was commissioned by the Dean and Chapter of Westminster and first performed on the 22nd November 2013, at a service dedicated to...

Handel wrote his magnificent Zadock the Priest for the Coronation of King George II and Queen Caroline in 1727, and it has been performed at every British coronation since then. It is often used in ro...

The words of the Wedding Hymn O Perfect Love were written by the English poet Dorothy Frances Gurney (née Blomfield) (1858-1932) to be used with an earlier melody. Sir Joseph Barnbythen wrote a tune s...

Recently recorded by VOCES8 to celebrate the Royal Wedding, Ed Rex's 'This Marriage' is a setting of words by the 13th-century poet Rumi, in which blessings are wished on a married couple. Ed Rex is...

This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody, floating soprano descant, and mellifluous closing 'Amen' make this a settin...

SATB & Organ/Brass/Orchestra An arrangement for SATB choir, to be sung with the original organ part of the famous Toccata from Widor's Symphony no. 5, a favourite wedding voluntary. Material for the o...

For SATB and percussion. This Sephardic wedding song, with rhythmic variety and lively melody, calls to mind gypsies and the Romantic Moorish flavour of Spain. It has a folk-like feel with drums, perc...

For solo tenor and SATB chorus. Vocal score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Here is the international sensation that has become a standard in Korea and throughout Europe! James Steven's and Joseph Martin's confident affirmation of love has become an evergreen for Asian weddin...

Testament of Praise, the cantata tribute to Charles Wesley is the source of this special anthem by Joseph Martin. The Gaelic tune BUNESSAN is married to the classic Wesley text Love Divine, All Loves...

Rising like a prayer, this attractive anthem will grace your services with a message of assurance and warmth. The simple, yet profound, moment of sharing is ideal for weddings or general use. 'Fresh a...

Besetzung: SSATB; SATB 1. Remember not, Lord offers (Litanei), 2. Thou knowest, Lord (aus der Begräbniszeremonie für Königin Mary II., )1695))