Coro a cappella misto

Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic, jazzy arrangement that includes optional rhythm, flugelhorn and flute. The song is a symbol of che...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

This is a cheerful, uptempo, jazzy setting of a children's poem originally entitled 'The Boogie Woogie Beagle Blues'. A delightfully whimsical change-of-pace for any fine choir!

This is a cheerful, uptempo, jazzy setting of a children's poem originally entitled 'The Boogie Woogie Beagle Blues'. A delightfully whimsical change-of-pace for any fine choir!

Mac Huff keeps things movin' with this swingin' arrangement of Duke Ellington's masterpiece.

Ophelia, Caliban and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliba...

Ophelia, Caliban and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliba...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surprisingly excerpts from 'Clair...

'Slow Down' has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllab...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. Chilcott injects energy and fun into the piece through a quick th...

A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written...

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

Jay Althouse has put together a trio of jazz tunes for young choirs. It opens with a light swing number, followed by a traditional vocal jazz ballad, and closes with a tight, up tempo chart reminiscen...