Spartiti per Coro e Vocale per ogni formazione

This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene, featuring joyful choral parts, and ending with a new harmonization of the Easter hymn tune 'Ellacombe', wit...

Jesus, Springing is a beautiful and tender carol that sets a text by Kevin Crossley-Holland. Tuneful and imitative vocal lines combine with a gently flowing keyboard part to create a delightful Christ...

This original hymn is touching and lyrical, with unison first and second verses blossoming into four-part writing in the third verse. It may be performed as either a congregational hymn (a congregatio...

Uses Latin and English (Rite A) texts.

Opening out from a lyrical exchange between unison lower and upper voices, this anthem is based around a John Tauler poem rich in metaphorical language that reflects on the protagonist's relationship...

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

For SATB and optional organ.

A setting of words from Psalm 27 featuring a solo clarinet with various choral groupings. A clarinet part is included in the vocal score. Instrumental material is available on hire.

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

From the explosive piano introduction you immediately sense the excitement of this new concert piece from Jerry Estes. 'From the mountains to the valley below, sing Cantate Domino. ' The driving rhyth...

Sally Albrecht has adeptly set a 'Kyrie eleison' text to Handel's classic 'Sarabande' melody. You'll recognize the melody as soon as you hear it, and your immediate reaction will be, 'Why hasn't someo...

This tender song of remembrance features a poignant original text combined with Latin phrases from the Requiem Mass. Close cluster chords, beautifully sculpted phrases, and expressive dynamics leave t...

Presenting one of Franz Schubert's masterpieces, skillfully arranged for developing choral groups. An elegant combination of sectional features and homophonic choral texture, this arrangement allows c...

Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered...

Victor C. Johnson's radiant realization of the traditional Latin "light born of light" text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, th...

Il Dixit Dominus di George Frideric Handel fu pubblicato già nel 1960 come parte dell'allora ancora giovane Hallische Händel-Ausgabe. La nuova edizione, presentata da Hans Joachim Marx, soddisfa tutti...

Il Salmo 137, "Super flumina Babylonis" o "Presso i fiumi di Babilonia", fu fonte di ispirazione per molti compositori, tra cui Camille Saint-Saëns. Più e più volte si occupò del suo mottetto salmo pe...

Soprano solo (8), contralto solo, tenore solo (4), basso solo (2), coro misto (SATB), oboe (2), fagotto (2), corno (2), tromba (2), timpani, violino (2), viola, bassi (violoncello, contrabbasso, fagot...

L'ultima opera di Mozart, il Requiem K. 626, rimase incompleta. Il completamento della partitura frammentaria da parte del suo assistente Franz Xaver Süssmayr, che lo aiutò con Il flauto magico, ha il...

Riduzione per pianoforte basata sull'Urtext della Nuova Edizione Mozart. Soprano solo, contralto solo, tenore solo, basso solo, coro misto-SATB, oboe (2), tromba (2), trombone (3), timpani, archi, org...

Organo, coro misto - Partitura