Spartiti per Coro e Vocale per ogni formazione

For SATB Choir A Cappella.

A modern a cappella setting of Christina Rosetti's words as used in the ever-popular carol. Written for the choir of Grimsby Parish Church for the Christmas of 1972.

For SATB Choir (or Quartet) unaccompanied. From The Crucifixion. New Edition.

For soprano solo and SATB chorus (unaccompanied). Words from the Pageant of the Shearmen and Tailors, Coventry, 15th Century.

Motet for Compline or Evensong for SATB Choir A Cappella. This edition prepared by Denis Stevens.

Anthem for SATB Choir A Cappella. Text: Robert Herrick

Patric Standford's Stabat Mater, an unaccompanied motet for SSATBB choir from his critically acclaimed oratorio, Christus Requiem.

For SATB Choir A Cappella. Piano reduction provided for rehearsal purposes.

A Carol setting the text of Richard Hill for SATB Choir A Cappella.

For SATB Choir A Cappella.

Bernard Rose's Versicles, Responses and The Lord's Prayer, as sung at Magdalen College, Oxford, for SATTB Choir a cappella.

An anthem for Ascensiontide for SATB Choir A Cappella. Text taken from Psalm 47 and Psalm 68.

Drop, Drop, Slow Tears, an anthem for unaccompanied SATB chorus from Crucifixus Pro Nobis on Phineas Fletcher's words.

Written for unaccompanied SATB choir, with Latin and English texts. The English translation is by R. R. Terry.

For SSATB Choir A Cappella.

A carol written for unaccompanied SATB choir. Text is 15th Century, alternating between English and Latin.

The Two Short Victorian Anthems includes Not Unto Us, O Lord by Thomas Attwood Walmisley and God So Loved The World by John Goss, both arranged for unaccompanied SATB chorus.

For SATB Choir A Cappella.

Anthem for SATB (unaccompanied), commissioned by Christ's Hospital, Horsham, for a service of thanksgiving in Westminster Abbey on October 7, 1966.

This anthem is scored for SSAATTBB and is unaccompanied. It was written in in 1976 for Martin Neary and the Winchester Cathedral Choir.

Setting of the Nunc Dimmitis in Latin. For SSAATTBB Choir A Cappella. Although written for Richard Terry in 1915, the first concert peformance of this work was given in June 1974. Desmond Ratcliffe ha...

Sing We Merrily Unto God Our Strength is a work described as 'a choral fanfare for festival use. ' It's a piece for unaccompanied double choir (SSAATTBB) composed by Martin Shaw.

For Soprano and Baritone Soli and SATB Choir A Cappella.

Kenneth Leighton's setting of the Preces And Responses for unaccompanied SATB chorus, as composed in 1964.