Spartiti per Coro e Vocale per ogni formazione

The Glory Of Our God (Kol' Slaven) by Dmitry Stepanovych Bortniansky arranged by Anthony Antolini for SATB choir unaccompanied.

The three unaccompanied choral pieces that comprise A Whitman Triptych were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao...

The three unaccompanied choral pieces that comprise A Whitman Triptych were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao...

The three unaccompanied choral pieces that comprise A Whitman Triptych were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao...

While having a folk-like feel that suits this familiar text, the musical material is entirely original. This setting features a more pastoral, contemplative tone than more lively settings with which y...

Psalm 23 is dedicated to the memory of Carolyn Argento (1930-2006).

This lyrical setting combines the texts Trinitie Sunday by George Herbert (1633) with Gloria tibi (Glory to you, O Trinity, all equal, one God). A charming refrain which begins the piece alternates wi...

The text for this piece about the charm of possibilities is a composite of words by Emily Dickinson and Robert Kyr with an excerpt from 'In Paradisum' from the Requiem Mass. The music is dramatic, fea...

The text for this stirring New Mexico-inspired piece is a composite of words by both the poet D. H. Lawrence and composer Robert Kyr.

As part of my duties as composer-in-residence at Palmer Memorial Episcopal Church, Houston, Texas, I composed this brief work-in effect, a choral fanfare-for the beginning of the 2015 Christmas Eve Ma...

If Ye Love Me was composed as a reflective commentary on the well-known motet by Thomas Tallis (1505 1585). Homophony predominates in the first section but with clusters rather than the traditional ha...

This gentle life lesson and setting begins with the chorus acting as accompaniment to the soloist. Then the sopranos pick up the mantle of the soloist and the chorus sings the words together. The fina...

This setting pokes fun at all of the ways in which phrases about money are 'coined. ' The music is appropriately uncomplicated, and nearly always homophonic.

As the composer suggests in his program notes, the poem to which this music is set may 'appear on surface as being rather flippant but, underneath, is deadly serious. ' The same may be said of the mos...