Spartiti per Coro e Vocale per ogni formazione

The opening majestic brass quartet fanfare sets the tone for this festive Easter anthem, leading to a contrasting a cappella middle section. The final verse is enhanced by a soaring descant and glorio...

This ethereal transcription, as recorded by Bobby McFerrin, provides a new and different setting for this cherished Psalm. The very free, almost chant-like rhythms and repetitive harmonies of this a c...

This ethereal transcription, as recorded by Bobby McFerrin, provides a new and different setting for this cherished Psalm. The very free, almost chant-like rhythms and repetitive harmonies of this a c...

Henry Leck's edition of this Praetorius work will be a selection you will use often for contest and holiday concerts. Available: SATB a cappella. Performance Time: Approx. :48.

Introduce your ensembles to the famous French chanson with this excellent edition. Includes French and English texts. Available: SATB, SSA a cappella. Performance Time: Approx. 1:00.

This beloved 16th-century German partsong is offered with both the original German and a new English text. Available: SATB a cappella. Performance Time: Approx. 1:40.

A superb edition of the de Victoria motet. Available: SATB a cappella. Performance Time: Approx. 1:40.

A superb edition of this famous motet! Available: SATB a cappella. Performance Time: Approx. 2:35.

This simple 3-Part canon offers an excellent introduction into a cappella Renaissance style. Available: 3-Part any combination.

The German baroque chorale Est Ist Ein' Ros' Entsprungen, in a tasteful adaptation by John Leavitt, features the tenor on the melody of the second verse and a soprano descant on the third verse. Inclu...

This masterwork of the 16th century is a standard on many contest lists. This excellent new edition from John Leavitt is ideal for developing the representative style qualities of the era. Available f...

The expressiveness of the Renaissance is richly portrayed in this new edition of the classic masterwork by Palestrina. An excellent choice for beginning and developing SATB ensembles. Available for SA...

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this gentle work offers superb opportunities for developing style, intonation...

This masterwork from Hassler's Missa Secunda is ideal for developing the representative style qualities of the era. Excellent for contest and concert! Available for SATB a cappella. Performance Time:...

With a text from Lamentations 1:12, this historical setting by Croce works well with a small or large ensemble. Leavitt's editorial markings enhance the musicality of the work. Available for SATB a ca...

This edition by Matthew Michaels adds contemporary markings for dynamics and other musical elements. Well-thought out, this is a welcome addition to contest repertoire. Available for SATB a cappella.

Banchieri's Baroque madrigal was originally composed for SSATB a cappella voices. This new edition for SAB voices has been transposed down a step and includes optional parts for flute, cello and keybo...

One of Palestrina's most famous motets, this is a beautifully reflective anthem with Leavitt's editorial markings enhancing the musicality of the work. Available for SATB a cappella. Performance Time:...

This playful French chanson by di Lasso is delightful! Easily learned and effective in performance! Also includes an English text. Performance Time: Approx. 1:00

This secular collection is a fantastic resource for experiencing the music of the Renaissance. The six well-known and representative works are: April Is in My Mistress' Face (Thomas Morley), Bonjour,...

The sonorous antiphonal phrases of Hans Leo Hassler's setting of John 1:14 will fill your performance space with rich harmonies. This new edition of the Renaissance motet is a wonderful concert showpi...

Hans Leo Hassler (1562-1612) was a prolific German composer who studied in Italy with Andrea Gabrieli. All Lust und Freud is a splendid example of secular German part-song fashioned after the Italian...

Often erroneously attributed to Orlando di Lasso, this part-song is actually of 19th century origin with the text deriving from a 15th century French poem. The work is excellent for developing phrase,...

Often erroneously attributed to Orlando di Lasso, this part-song is actually of 19th century origin with the text deriving from a 15th century French poem. The work is excellent for developing phrase,...

From Hassler's Missa Secunda, this short imitative work offers opportunities for choirs to develop the performance practices of the late Renaissance and early Baroque era. An excellent selection for c...