Spartiti per Coro e Vocale per ogni formazione

A soft, haunting vocal duet written in 1868 by Alice Hawthorne - the pseudonymn of Philadelphia composer Septimus Winner.

Arranged for 2 Voices and Piano, to a tune from Die Fledermaus, by Henry Geehl. Words by Kay Foster.

UA Kassel, 1. April 1994 Sopran solo, Alt solo, Orgel, Elektronik 1994 9' - Spielpartitur (AK)

Drei romantische Liebesgesange, opus 126 pour chant (version pour soprano, mezzo-soprano ou alto) et piano commande du 9° Concours International de Musique de Chambre - Lyon 16 pages sous couverture.

On the surface, this 1941 poem is about roosters. More specifically, roosters in Key West, where the poet spent a decade. But the sub-texts could not be any more appropriate in terms of current events...

No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of...

No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of...

A collection of English songs with various instrumentations, from simple children's song accompanied by piano to mixed a-cappella choirs, according to their purpose at a really easy level. The content...

For soprano and mezzosoprano and piano.

The edition is a sequel to the initiative represented by Jen Ádám's deservedly popular series entitled 'The Masters of Song'. Based on several decades of teaching experience the eminent teacher of sin...