Spartiti per Coro e Vocale per ogni formazione

There are many variants of this song in England, Scotland and America. As this version evolves, the 'lady' abandons her life of luxury for the romantic freedom of the gypsies, eluding capture and livi...

Each voice assumes the role of one of Laura E. Richard's characters in a spirited and playful exchange characterized by an incessant rhythmic “chatter.” The text is set syllabically, in a...

Thispiece is a syllabic and through-composed setting of Laura E. Richards' text. The distinctive aspect of the piece is its rhythmic interest and shifting meters, its humor, evident in the lumbering n...

The text of this Brazilian song and the three counter melodies are full of good humor. The rhythm and melody capture the flavor of this colorful culture, and will have immediate appeal to young singer...

Being one of Bach's four small ('Lutheran') masses, it is suggested by some scholars that the Mass in G Major was among Bach's preliminary studies for the B minor Mass.

SAAB or SSAA and Piano, 4-Hands Now available in several voicings, Niska Banja is a Serbian Roma dance popular throughout the Balkans. To Central Europeans, the 9/8 rhythm of 2-2-2-3 is as natural as...

This Canadian Folksong describes the tragic sinking of a Bait Skiff near Petty Harbour in 1852, losing all but one of the crew.

The Apple Tree Wassail comes from the cider country of Devon and Somerset, where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael - to be healthy.

Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing this piece it that the rhythms must be very incisive and exact, yet the precision must be combined with the...

This is a free adaptation of nursery rhyme texts in blues style.

Mbiri kuna Mwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The te...

Written in the traditional Jewish Klezmer style, this piece incorporates the lively syncopated bounce feeling as well as the structured progressions between major and minor modes.

This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.

Tjak! has been inspired by a Balinese musical ceremony long known to world music fans as Ketjak, or The Monkey Chant. Is has adopted many aspects of the Balinese music, including much of the timbre an...