Cole Porter: spartiti medio

Mike Kocour's two-piano medley is a terrific dialogue utilizing three favorite Porter tunes (Easy to Love, I Love You, I Get a Kick Out of You). Kocour's unerring instincts for capturing the style and...

The Buddy Rich Band played this chart for years! A sensational arrangement of a great tune in an up-tempo setting. This is recorded on the Big Swing Face CD. Solo space for alto sax, trumpet, tenor sa...

Questa raccolta dinamica riunisce 13 canzoni iconiche di Cole Porter arrangiate per chitarra classica sola dal compianto John W. Duarte. Adatta a chitarristi classici di livello da intermedio ad avanz...

L'arrangiatore Dave Wolpe propone un classico schema vocale swing in stile Sinatra. Arrangiato in due chiavi per una maggiore flessibilità, presenta un assolo di trombone nel coro di grido. La tonalit...

A fabulous tribute to the great Porter in a captivating medley! Even young players will recognize the timeless melodies of these Cole Porter classics. Perfect for your spring concert!

Under My Skin è un classico di Frank Sinatra. Questo brano è una trascrizione di Sinatra con la Count Basie Band, tratta dall'album Sinatra at the Sands, ed è un must per tutti i vocalist maschili. È...

Tratta dalla registrazione Reprise di Sinatra del 1962, I Get a Kick Out of You è diventata un classico di Sinatra e un brano molto richiesto. L'arrangiamento originale è opera di Neal Hefti (un nome...

Sammy features the saxophones in this medium swing arrangement of the Cole Porter standard. Wonderful ensemble writing. No solos required.

This Cole Porter tune has become a jazz standard because of a great melody and great changes. Now we have a superb big band chart that really cooks! Hooper does not demand a lot of high notes, but the...

This is a truly authentic transcription of Artie Shaw's classic version of BEGIN THE BEGUINE. Jeff Hest has meticulously notated every detail of this famous chart. Since it was such an important song...

Solo arrangements with chord names of 22 selections by this legendary songwriter: Begin the Beguine * Easy to Love (You'd Be So Easy to Love) * Ev'ry Time We Say Goodbye * From This Moment On * Get Ou...

Vocal score of the Cole Porter musical 'Kiss Me Kate'

Pete's arrangement of this Cole Porter standard is magnificent. A rhythmic Latin pulse dominates the accompaniment with smooth, flowing vocals creating a magical contrast. Captivating!

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

The genius of Cole Porter shines through in this familiar standard. Roger's medium tempo chart is a swinger that goes together easily. Great sounds!

Date un'occhiata a questo schema di facile esecuzione che oscilla a 132 BPM. Questo grande standard di Cole Porter è arrangiato con assoli scritti di tenore, tromba e contralto con una cadenza di cont...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Artie Shaw ha registrato questo classico molte volte nel corso degli anni. Inizialmente utilizzava 4 sax - 2 contralti e 2 tenori - e in seguito una sezione AATTB regolare e lui stesso al clarinetto s...

As recorded by the Stan Kenton Orchestra on Stage Door Swings, this is a lovely ballad scored in the incomparable Kenton style. Niehaus uses the saxophone section to great effect. Limited ranges make...

Kenton had many hits over the years, and this very creative arrangement by Pete was one of them. A great Latin setting with that unforgettable trombone lick in the shout chorus. There is room at the e...

Currently enjoying a successful revival on Broadway, this classic Cole Porter musical features some of his best-known songs. In the hands of master arranger John Moss, this medley sparkles with showbi...

As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium-swing chart on a great tune. Lennie uses a neat vamp in the trombones to offset the melody in the saxes. The full...

When Lennie arranged for the Stan Kenton Orchestra, he was able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for trombone. Recorde...