Charles Gounod: spartiti medio

Le "sette parole" pronunciate da Gesù, sofferente sulla croce, hanno ispirato numerosi compositori in diverse lingue a metterle in musica nella loro espressione e profondità emotiva. Charles Gounod ba...

Requiem in F - Edition nach der Erstausgabe Paris 1883. Die Ausgabe enthält alle von Gounod überlieferten Sätze des Werkes (Kyrie, Sanctus, Pie Jesu, Agnus Dei).

Solo SATB, Coro SATB, 2 Fl, 2 Ob, Eh, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, Große Caisse, Arpa, Perc, 2 Vl, Va, Vc, Cb, Org - erste kritische Edition von Gounods letztem Werk - ausführliches Vor...

Solo SATB, Coro SATB, 2 Fl, 2 Ob, Eh, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, Große Caisse, Arpa, Perc, 2 Vl, Va, Vc, Cb, Org - erste kritische Edition von Gounods letztem Werk - ausführliches Vor...

Durch Gounods Geschick bei der Umsetzung des Textes in eine sehr fassliche musikalische Sprache erhält das Werk seinen leichten, eingängigen Charakter. Einfache musikalische Mittel werden formbildend...

Durch Gounods Geschick bei der Umsetzung des Textes in eine sehr fassliche musikalische Sprache erhält das Werk seinen leichten, eingängigen Charakter. Einfache musikalische Mittel werden formbildend...

Solo SATB, Coro SATB, Ob, Clt, Cor, Vl, Va, Vc, Cb, Org Sprache: lateinisch Fassung für kleines Orchester. Das vorliegende Requiem komponierte Charles Gounod unter dem Eindruck des Todes seines vierjä...

Solo SATB, Coro SATB, Ob, Clt, Cor, Vl, Va, Vc, Cb, Org Sprache: lateinisch Fassung für kleines Orchester. Das vorliegende Requiem komponierte Charles Gounod unter dem Eindruck des Todes seines vierjä...

Solo SATB, Coro SATB, 2 Fl, 2 Ob, Eh, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, Große Caisse, Arpa, Perc, 2 Vl, Va, Vc, Cb, Org - erste kritische Edition von Gounods letztem Werk - ausführliches Vor...

Solo SATB, Coro SATB, 2 Fl, 2 Ob, Eh, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, Große Caisse, Arpa, Perc, 2 Vl, Va, Vc, Cb, Org - erste kritische Edition von Gounods letztem Werk - ausführliches Vor...

'Marche et cortège' from the opera 'La Reine de Saba' ('Queen of Sheba') by Charles Gounod (1818-1893).

Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphoniu...

Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphoniu...

Große Fantasie mit den schönsten Melodien aus der bekannten Oper.

Funeral March of a Marionette was composed in 1872 as part of Charles Gonoud's Suite Burlesque for piano. This suite was intended as a parody of the music critic, Henry Chorley. When he had finished c...

'Marche et cortège' from the opera 'La Reine de Saba' ('Queen of Sheba') by Charles Gounod (1818-1893).

Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by...

Soli SA, Coro SA, Org

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...