Antonín Dvořák: spartiti medio

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

The edition is part of the Trinity syllabus 2007 (grade 6)

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Dvoráks 'Requiem' für Soli, Chor und Orchester gehört zu den bedeutendsten Werken seiner Gattung im internationalen Repertoire. Bärenreiter legt jetzt, basierend auf der Partitur der Dvorák-Gesamtausg...

La "Suite in la maggiore" per pianoforte in cinque movimenti di Antonín Dvorák fu completata a New York il 1° marzo 1894, poco dopo il trionfale successo della Sinfonia "Nuovo Mondo". Come egli stesso...

Es waren die 'Slawischen Tänze für Klavier zu vier Händen' op. 46, die Antonín Dvorák zu unerwartetem internationalem Ruhm verhalfen. Ein untrüglicher kaufmännischer Instinkt bewegte Fritz Simrock Anf...

- Popular piano miniatures which can be played individually and are ideal as encore pieces - New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng) - Well-presented division of Primo a...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Dvorák's Waltzes and Mazurkas prove to be a successfully contrived balancing act between stylised composition and musical immediacy. The music critic Louis Ehlert once wrote of Dvorák's Slavonic Dance...

The principal theme from the second movement of this symphony is equal in fame and popularity to Pachelbel s Canon and Albinoni s Adagio. This incredibly simple and beautiful theme has been arranged h...

Antonín Dvorák schrieb mehrere Humoresken, die unter Opus 101 zusammengefasst sind und dem Jahr 1894 zugeordnet werden. Die davon wohl bekannteste Humoreske ist die hier vorliegende siebte dieser Werk...

> First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jirí Gemrot > Includes Dvorák's own arrangement of Dance no. 8 > With fingering and bowing by Tomáš J...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

Early piano quintet In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music c...

Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...