Anton Bruckner: spartiti difficile

Bruckner described his setting of Psalm 150 (1892) as "my best festive cantata of all". With its monumental Halleluja theme and the great fugue on "Alles, was Odem hat, lobe den Herrn", the psalm sett...

Die 8. Symphonie ist Bruckners letztes vollständig überliefertes und umfangreichstes sinfonisches Werk. Die erste Fassung beendete Bruckner im September 1887. Die 2. Fassung, die der vorliegenden Tran...

There are numerous contemporary accounts attesting to the fact that Bruckner often drew on themes from his symphonies in his magnificent organ improvisations, and these improvisations are said to have...

There are numerous contemporary accounts attesting to the fact that Bruckner often drew on themes from his symphonies in his magnificent organ improvisations, and these improvisations are said to have...

Die 8. Symphonie ist Bruckners letztes vollständig überliefertes und umfangreichstes sinfonisches Werk. Die erste Fassung beendete Bruckner im September 1887. Die 2. Fassung, die der vorliegenden Tran...

Anton Bruckner's secular works for male choir a capella lend themselves perfectly to transcriptions for horn ensembles. Das Hohe Lied (The High Song, 1876), based on a text by Heinrich von der Mattig,...

1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...

La grande "Messa in fa minore" di Bruckner è una delle opere più importanti del compositore - e della musica corale del 19 ° secolo. In modo unico, il compositore riesce a penetrare musicalmente i con...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Immerse yourself in a monumental masterpiece of organ literature: the complete edition of the "1st to 9th Symphony for Organ", published by the renowned Edition Merseburger, is an essential addition t...

Abweichend von den letzten beiden Symphonien Bruckners, weist die Siebte an vielen Stellen eine geradezu heiter-helle festliche Grundstimmung auf, die auf der Eingängigkeit ihrer Themen und Motive sow...

Abweichend von den letzten beiden Symphonien Bruckners, weist die Siebte an vielen Stellen eine geradezu heiter-helle festliche Grundstimmung auf, die auf der Eingängigkeit ihrer Themen und Motive sow...

Abweichend von den letzten beiden Symphonien Bruckners, weist die Siebte an vielen Stellen eine geradezu heiter-helle festliche Grundstimmung auf, die auf der Eingängigkeit ihrer Themen und Motive sow...

The third part of Bruckner's Fourth Symphony (The Romantic Symphony) is quite well suited for a transcription for wind band, not in the least because of the haunting horn themes.