Oxford University Press Download Spartiti

The Suite is made up of six movements ranging from a 'Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Evoking an 'antique' spirit, each movement is based on a Baroque or Classical style.

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 2 trombones or 2 horns, bass trombone and optional tuba), timpani, percussion and organ. An alternative orchestral accompa...

Larsen's flowing meditation on the 'Veni creator' tune was written as the Pentecost entry for a multi-composer anthology based on the liturgical year. It was given one of the highest rankings in a sur...

More sweet than my refrain is a tender miniature for three-part choir set to the text of a poem by Ralph Waldo Emerson. The motet features on the new Ars Nova Copenhagen recording, 'First Drop' (Cante...

A rousing setting of the classic American song. Two pianos, piano and organ, piano and synthesiser or two synthesisers may be used for the two keyboard accompaniment. The orchestral/concert band accom...

From the collection Bob Chilcott Songbook, 'The Runner' is a fast rhythmic piece setting a text by Walt Whitman. With chromatic inflections, close harmonies, and vocalizations to imitate the athlete's...

From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...

A piano transcription, made by the composer himself, of 'A flower remembered', originally written in memory of the victims of the Tohoku area earthquake and tsunami, March 2011. Suitable for pianists...

From the collection Jazz in Springtime, 'Up on the Hill' is a contemporary lyrical jazz ballad by celebrated jazz pianist Nikki Iles. An intermediate level piece, this is an engaging addition to the r...

Originally published in Jazz in Autumn, this is a lovely piece with swung semiquavers and expressive melodies with a relaxing feel.

From the collection Jazz in Springtime, 'Flores' is an intermediate level, contemporary jazz-waltz by celebrated jazz pianist Nikki Iles. Inspired by Miles Davis and Chick Corea, and with a written-ou...

Harriet Cohen (1895-1967) is chiefly associated with Bach transcriptions through the eponymous OUP collection A Bach Book for Harriet Cohen of 1932, but she made some of her own as well. 'Ertödt' uns...

William H. Harris' (1883-1973) arrangement of 'Bist du bei mir', from the Clavierbüchlein for Anna Magdalena Bach, was published in 1949, and offers an enjoyable and remarkable realization of chords....

The pianist Myra Hess (1890-1965) became indelibly associated with Bach after she began playing 'Jesu, joy' by ear in 1920. Her arrangement of the Adagio (offprinted here from OUP's Bach Transcription...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this majestic piece contrasts a triumphal opening and ending section with a more reflective central section. Suitable for pla...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

The work explores both conventional Sonata forms and the flexibility of performance practice for which Finnissy is renowned. The piece was designed to interact with some of the materials of the first...

Immanúel oss í nátt meditates on the birth of Christ with harmonies of increasing richness before ending with echoes of the opening motif. An English text by Bob Chilcott is presented alongside the or...

This work comprises three settings of sections from the Penitential Psalms, interspersed with four arrangements of the well-known Ubi caritas plainchant. The psalms may also be performed separately, g...

The Ballerina and the Clown develops a completely new story inspired by some of Hans Christian Andersen's charming papercuts, which are reproduced in the score. Alternative illustrations by Cecilia Ro...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

Merulo's setting of Dum illucescente, a text for the Feast of St Mark the Evangelist, is scored with high clefs. The motet is framed by two polyphonic sections that incorporate some melismatic vocal l...

Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A v...