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This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lo...

A homely text by Joyce Kilmer is the starting-point for this gorgeously expressive ballad for choir and piano. Offprinted from Carols for Choirs 6.

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons.

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

This is an adaptation of music from Act 4, Scene 1 of The Pilgrim's Progress so that it may be performed in concert. Recorder, flute, or clarinet may be incorporated in the piano accompaniment as indi...

This is a reworking of material from Berkeley's 1979 Violin Sonata, and is an evocative and atmospheric single movement. Veilleuse means 'Night Watch' or 'Night Lantern', and the music has a slightly...

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Also available in a version for SSA una...

Out of your sleep is a fresh-sounding Advent carol rich in rhythmic variation and subtle detail. Written for the Choir of King's College, Cambridge, the carol provides opportunities for the choir to s...

Flowing and expressive, this is one of Vaughan Williams's most popular and beautiful motets.

As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the p...

This is a profound setting of a selection of poems by Wilfred Owen. The sense of human connection and imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, wh...

Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant.

This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...

Down the Silver Road is a comforting and uplifting setting of the poem To F.W. by Edith Franklin Wyatt, which describes the joy of growing old with a companion.

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The stylistic piano part in the vocal score can be played as written or serve as a guide, and this optional guitar, bass, and dr...

This gentle and enchanting carol, set to a poem by Elizabeth Jennings, began life as the fourth movement of Chilcott's Christmas cantata, 'And Peace on Earth'. Chilcott's sublime melodic writing and s...

For SATB choir and congregation, accompanied by brass quintet, with optional timpani and organ.

A version arranged by Brubaker for brass is available for sale.

This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...

This song comes from the Cantata In Windsor Forest, which is based on music from the opera Sir John in Love. It sets a text from The Book of Airs and is celebratory in atmosphere.

Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...

The opening verse for solo soprano gives way to an enchanting and imaginative setting of the beloved carol In the bleak mid-winter. Offprinted from Carols for Choirs 6.