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Taken from the collection Solo Time for Violin Book 2, this graceful jazz waltz is an original composition by the authors of the celebrated String Time series.

This arrangement for violin and piano of a keyboard piece carries the three-part contrapuntal texture typical of Bach's sonatas for violin and keyboard. From the collection Solo Time for Violin Book 3...

From the collection Solo Time for Violin Book 2, this arrangement for violin and piano is of the aria ('Mon coeur s'ouvre a ta voix') from the grand opera Samson and Delilah by Saint-Saëns. Enjoy the...

From a composer better known for his large-scale works, this inspired miniature was originally written for piano, but is here arranged for violin with piano accompaniment. From the collection Solo Tim...

From the collection Solo Time for Violin Book 3, this set of variations is based on the theme from the slow movement of Haydn's 'Surprise' Symphony (No. 94). A tongue-in-cheek nod to the 18th- and 19t...

From the collection Solo Time for Violin Book 2, this arrangement captures the gentle nature of this evocative English folksong in triple time.

From the collection Solo Time for Violin Book 3, this abridged arrangement of the 'Valse Caressante' ('Tender Waltz'), a light-hearted salon piece, is from Respighi's Six Pieces for Violin and Piano.

Originally published in Violin Jazz on a Winter's' Night, this version the popular 'Sans Day Carol' is arranged by celebrated jazz musician and composer Nikki Iles. Written in a gentle South African t...

Originally published in Violin Jazz on a Winter's' Night, this celebrated version of 'Silent Night' is arranged by celebrated jazz musician and composer Nikki Iles. Scored for (intermediate) violin an...

This serene romance is one of Vaughan Williams's most enduring popular works. Taking its title from a poem by George Meredith, the music perfectly evokes the lark's 'chirrup, whistle, slur, and shake'...

This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

Arranged here for solo low voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.

Scored for low voice and piano or organ, this is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpinn...

A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the D...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer's Lux Perpetua, a choral work on the t...

This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.

Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...