Spartiti per orchestra sinfonica

Per violino e orchestra sinfonica o 2 pianoforti.

Concerto Op. 35 in D major for violin and orchestraEdited and fingered by Salvatore AccardoPiano reduction by Francesco Fiore

Un concerto della durata di 9 minuti rivolto ad aspiranti solisti interessati a eseguire un concerto breve. La parte solista è di livello appena superiore al Grado 8 del Regno Unito, mentre le parti o...

Work for Violin and Orchestra commissioned by the Royal Philharmonic Society and the Gulbenkian Foundation. Premiered by Manoung Parikian.

Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: Ad L...

First performed on 14th September 1997, at the Sibelius Academy Helsinki by John Storgårds, violin, the Avanti! Chamber Orchestra and Hannu Lintu, conductor.

This work was commissioned by the Los Angeles Philharmonic Association, Esa-Pekka Salonen, Music Director, Chicago Symphony Orchestra, Riccardo Muti, Music Director Designate, and New York City Ballet...

This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22nd August 2009, at the Leipzig Gewandhaus, given by Daniel Hope (violin) and the Gewandhausorchester Leipzig, conducted...

'Nobody knows the music of the whole world better than Monsieur Saint-Saëns', Claude Debussy praised his fellow composer, and there are only few who left such a comprehensive oeuvre covering all genre...

The complete Op. 8 Concerti. Original new Dover edition.

The Concerto is dedicated to Dennis Russell Davies and Paul Zukofzky, who present the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo), two oboes, E-fla...

Vl,Orch 27'

Il Concerto per violino in mi minore op. 64 di Felix Mendelssohn Bartholdy ha, come molte altre sue opere, una genesi più lunga: la promessa di scrivere un grande concerto solistico, oltre a una sonat...

Felix Mendelssohn Bartholdy visse nel periodo d'oro del canto maschile. Il compositore entrò precocemente in contatto con questo genere attraverso il suo maestro Carl Friedrich Zelter e la Berliner Li...

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional...