Spartiti per orchestra sinfonica

La Bernd Alois Zimmermann Complete Edition (BAZ-GA) è pubblicata come edizione ibrida e consiste in un'edizione stampata con copertina rigida e in un'edizione digitale basata su Internet. La separazio...

In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...

Brahms' sketch of his 'Vier Ernste Gesänge' suggests the possibility of orchestration. 'Detlev Glanert took up this suggestion and developed it even further. He orchestrated the songs for orchestra, a...

Le va et le vient is a suite de ballet which might well one day return to the stage as a ballet. Originally commissioned by Merce Cunningham and performed under the title Set, Hold, Clear and Squelch...

Metamusik is not only the title of this work, but also a concept with which the composer has attempted to describe his style. He considers Metamusik to be 'a semantic overtone above music'. 'Meta', Si...

Symphony no. 6 is 'a gigantic farewell symphony written at the end of the millenium. It is at one and the same time retrospective, sums up, and, in a visionary manner, is directed towards the future ....

The work was inspired by the work of the Russian poet Xenia Nekrassova, who, after achieving some success in the 1950s, died forgotten and in complete poverty. The childish and naïve character of her...

Peter Tchaikovsky based the fantasy overture Romeo and Juliet, which he composed in October and November 1869, on Shakespeare's tragedy of the same name. The idea of the work had been suggested to him...

From Tchaikowsky's ballet The Nutcracker Suite comes this fresh scoring for your full orchestra or string orchestra (any winds and/or percussion can be added). The technical demands have been reduced,...

Rhythmic fervor best describes this exciting new work for intermediate orchestra. This piece retains its energy while developing different textures and is contemporary in nature yet offers maximum fle...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

Everyone remembers the tune by its subtitle, 'Going Home.' This lush song is creatively scored with your intermediate orchestra in mind. Although there appear to be some exposed woodwind passages in t...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

A superb Robert W. Smith creation built on the foundation of the Ionian mode. A wonderful opportunity to teach the history of this mode through performance literature. As the title implies, the melodi...

Sketches were rediscovered in some papers in the library of the Royal School of Church Music, including the main tune and other promising fragments of material which provided links to another near-ind...

Composto nel 2005 su commissione della Los Angeles Philharmonic e della Serge Koussevitzky Foundation della Biblioteca del Congresso, in memoria di Serge e Natalie Koussevitzky. La prima mondiale ha a...

Composta nel 2007 su commissione della Stiftung Berliner Philharmoniker e della San Francisco Symphony. Sebbene il titolo dell'opera sia tratto dall'ultima sezione dei Gurrelieder di Schoenberg, essa...

A cycle of six of Finzi's songs arranged for voice and chamber orchestra to mark the composer's centenary in 2001. One of them, When I set out for Lyonnesse, was a hitherto unpublished orchestration o...

One of MacMillan's earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore r...