Spartiti per orchestra sinfonica

Songs and Dances of Death (Pesni i plyaski smerti), composed in the mid-1870s, is widely considered the finest song cycle by Modest Mussorgsky (1839-1881). The composer selected four poems penned by h...

Antonín Dvorák (1841-1904) compose il suo Concerto per violoncello in si minore, Op. 104/B. 191 nel 1894. Fu l'ultimo concerto per violoncello solo che il compositore scrisse durante il suo mandato tr...

Antonín Dvorák (1841-1904) compose il suo Concerto per violoncello in si minore, Op. 104/B. 191 nel 1894. Fu l'ultimo concerto per violoncello solo che il compositore scrisse durante il suo mandato tr...

Scritta originariamente nel 1908 come "Piccola Suite" per pianoforte, CHILDREN'S CORNER fu dedicata alla figlia di Claude Debussy (1862-1918), Claude-Emma: "Alla mia amata piccola Chouchou con le tene...

SIGURD JORSALFAR, OP. 22, fu composta da Edvard Grieg (1843-1907) per un'opera teatrale di Bjørnstjerne Bjørnson in onore del re Sigurd I. Rappresentata per la prima volta a Christiania il 10 aprile 1...

SIGURD JORSALFAR, OP. 22, fu composta da Edvard Grieg (1843-1907) per un'opera teatrale di Bjørnstjerne Bjørnson in onore del re Sigurd I. Rappresentata per la prima volta a Christiania il 10 aprile 1...

Antonín Dvorák (1841-1904) compose due serie di Danze slave, ciascuna composta da otto numeri e separata da otto anni. L'idea fu suggerita al compositore dall'editore N. Simrock, in seguito all'introd...

Antonín Dvorák (1841-1904) compose due serie di Danze slave, ciascuna composta da otto numeri e separata da otto anni. L'idea fu suggerita al compositore dall'editore N. Simrock, in seguito all'introd...

An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...

An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...

Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publish...

Antonín Dvorák (1841-1904) compose due serie di Danze slave, ciascuna composta da otto numeri e separata da otto anni. L'idea fu suggerita al compositore dall'editore N. Simrock, in seguito all'introd...

Antonín Dvorák (1841-1904) compose due serie di Danze slave, ciascuna composta da otto numeri e separata da otto anni. L'idea fu suggerita al compositore dall'editore N. Simrock, in seguito all'introd...

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conc...

HOLOUBEK (L'OCA SELVATICA), Op. 110/B. 198, è un poema per orchestra composto da Antonín Dvorák (1841-1904) nel 1896. Rivisto nel gennaio dell'anno successivo, racconta la storia di una donna che avve...

HOLOUBEK (L'OCA SELVATICA), Op. 110/B. 198, è un poema per orchestra composto da Antonín Dvorák (1841-1904) nel 1896. Rivisto nel gennaio dell'anno successivo, racconta la storia di una donna che avve...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' most popular works today, and they were the most profitable f...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...