Spartiti per orchestra d'archi

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violinen III (Viola), 3 Violen, 5 Violoncelli/Kontrabässe - Streichorchester

Partitur = Cembalo - Streichorchester

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violinen III (Viola); 3 Violen; 3 Violoncelli; 2 Kontrabässe - Streichorchester

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo

Partitur = Cembalo - Streichorchester und B.c.

Partitur = Cembalo - Streicher und Basso continuo

Stimmensatz - Flöte/Violine solo; 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 3 Kontrabässe - Streichorchester

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

Partitur = Cembalo - Streichorchester und B.c.

Partitur = Cembalo - Streichorchester und B.c.

A modern instrumental piece with technically easy playing processes and a distinctive instrumentation. Strings are mostly divided, their number and range can be extended as one likes, the same applies...

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 3 Violoncelli, 2 Kontrabässe - Streichorchester

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

18th century ballroom dances.

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Especially for school orchestras, this edition offers violin III as alternative for the viola part.

A one-movement piece full of atmosphere from the pen of the most important Spanish com-poser of the 20th century. The solo part which is very easy intonates a siciliano-like melody.