Spartiti per orchestra d'archi

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

Here's an effective work for beginning level players that features solid teaching material in a setting that is also terrific concert programming. Skilled part writing for all players, bold modal harm...

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

An ideal fun and learning piece for beginners with simple diatonic parts that are interesting for all players. Add the vocals for extra spice. (Correlates with Essential Elements Expert Level)

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25.

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...