orchestra jazz per avanzati

A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility--it works for your female or male vocalist. A great Gershwin song w...

Arr. in zwei Tonarten - für Männer- und Frauenstimmen.

Arr. in zwei Tonarten - für Männer- und Frauenstimmen.

Arr. in zwei Tonarten - für Männer- und Frauenstimmen.

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Horace Silver's iconic blues received the big band treatment courtesy of arranger Ernie Wilkins for Dizzy Gillespie's big band in 1956. By and large, the arrangement sticks fairly close to Silver's or...

Jazz Studio Orchestra Arrangement with Vocal. Full Score, Vocal, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones (4th is Bass), 3 Violins, Viola, 3 Celli, Guitar, Pi...

Originariamente presente nell'omonimo film di Martin Scorsese del 1977, "New York, New York" è forse diventata la canzone più associata a Frank Sinatra nell'immaginario collettivo. Questa versione è s...

This Buddy Bregman arrangement was recorded by Ella Fitzgerald for what became the first entry into her songbook series: The Cole Porter Songbook. The arrangement begins with the seldom heard verve ac...

An intense intro and outro set up and cap off this free-wheeling swing chart. The full ensemble will get a workout with solo space for Trombone and Piano in the center section. The back half of the ch...

An intense intro and outro set up and cap off this free-wheeling swing chart. The full ensemble will get a workout with solo space for Trombone and Piano in the center section. The back half of the ch...

Recorded in 1968 on the album Basie Straight Ahead this slow swinger defines the Basie style at this tempo. While not overly demanding technically, this chart will challenge even the best bands to pla...

Originally recorded by Count Basie and played by him at a Grammy Awards concert, this arrangement was also recorded by the SWR Big Band in 2005 on their CD 'Basie-cally Sammy.' It has optional solos f...

Originally recorded by Count Basie and played by him at a Grammy Awards concert, this arrangement was also recorded by the SWR Big Band in 2005 on their CD "Basie-cally Sammy." It has optional solos f...

From the Basie-Straight Ahead recording of 1968 featuring the legendary Count Basie, Harold Jones, Grover Mitchell, Marshall Royal and Freddie Green, highlights here include a recurring alto/trumpet d...

As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full-ensemble writing, brass buckets, sax scoops, drum fills, and piano in the...

As recorded by Count Basie & His Orchestra for their Basie Straight Ahead album of 1968, this classic blues features a moderate tempo, piano and tenor solos, solid sax and brass solis, and a series of...

George Shutack has taken one of the most famous tunes in sports, Take Me Out To The Ballgame, and scored it for big band with a heavy dose of bebop influence. Written at the medium level, this swing c...

Commissioned by the Waverly High School Jazz Ensemble (NE) directed by Jim Kucera, this straight-ahead swinger for medium level groups provides an abundance of teaching opportunities. The strong melod...

This swing chart by tenor saxophonist Mark Colby tips its hat to the classic Miles Davis tune All Blues. Doug Doug Beach's arrangement for medium level groups frames the tune with influences from both...

This swing chart by tenor saxophonist Mark Colby tips its hat to the classic Miles Davis tune All Blues. Doug Doug Beach's arrangement for medium level groups frames the tune with influences from both...

A tribute to master composer Oliver Nelson, this swing original for medium level groups will provide students with a wonderful musical experience. The integrated lines and the modal harmonies work tog...

Great as a program opener or closer, this hard-driving swinger is punctuated by several spicy half-time funk passages that boost momentum and excitement from start to finish. Strong ensemble writing t...

While lots of chart through the years have been based on the chord changes to I Got Rhythm, this straight-ahead swinger for medium level groups is more accessible than most. Perfect for concert or fes...