Spartiti per orchestra jazz

This jazz standard is truly a classic. An easy-going swing tempo at 110 BPM, written-out solos for alto and trumpet, and lead trumpet range is to written G on top of the staff. A fine chart for a youn...

Aretha Franklin ist nur eine von vielen Interpretinnen von A Natural Woman gewesen. Nach ihrer Version ist dieses Big Band-Arrangement gestaltet: Im Mittelpunkt steht die Sängerin, die dezent von den...

This updated version of the 1930's standard swings from start to finish! Alternating sax and brass solis provide the vocalist with good support early on, and an all-out shout at the end will bring the...

Questo schema è stato trascritto e adattato dall'arrangiamento originale di Nelson Riddle scritto per l'album Gershwin Songbook di Ella. Abbiamo rimosso le linee d'archi e scritto lo schema per una fo...

Un'altra rara carta dei tempi di Hefti della band di Basie. Questa NON è la tabella di magazzino Hefti che è stata emessa molti anni fa. È la versione completa di Basie, con una bella caratteristica s...

Questo brano è stato originariamente registrato da Ella Fitzgerald per il suo album Jerome Kern Songbook a Los Angeles, nel luglio 1963, con l'orchestra arrangiata e diretta da Nelson Riddle. La nostr...

Questo schema è stato trascritto e adattato dall'arrangiamento di Frank DeVol scritto per l'album Verve di Ella del 1960 "Ella Wishes You a Swinging Christmas". Abbiamo eliminato gran parte dei fiati...

The Robbie Williams School Band Chart specially written for student/amateur swing bands. In addition to the usual 8 Brass and 5 Saxes we have included optional Flutes, Clarinets and Horn in F. Very sa...

Robbie and Guy Chambers back together (at last!) for this opening number on the 'Swings Both Ways' Album. A Perfect and very playable new number for a concert or party night. Key: Bb Vocal range: A -...

If you want a chart that swings, this is it! This incredible arrangement by Quincy Jones of Walk, Don't Run was recorded by the great Count Basie Orchestra on their album Hits of the 50's & 60's - Thi...

As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, and also (in another form) by the Buddy Rich Band on the CD Swingin' New Big Band. This chart is an up-tempo swing tune which jus...

TAKE FIVE di Dave Brubeck riceve un trattamento regale da Dave Wolpe in questo entusiasmante brano per ensemble jazz. Un grande piacere per il pubblico!

The perfect chart to lead off any performance by your jazz ensemble. Starts out at a brisk swing tempo with lots of solid ensemble punches and features a 2 bar drum break that leads into the half-time...

Just like magic, this energetic swing tune by Larry Barton will make your band sound like a million dollars. Starts out with the 'head' being presented by 1st Alto, 1st Tenor and 1st Trombone and then...

A full bore straight ahead rendiition of the familiar old standard from the big band era. Contemporary in style and concept, the 1st trumpet needs a strong C above the staff. Includes an open solo sec...

Für die Hauptsendezeit komponierte Howard Rowe diese schmissige Nummer im Stil der Musik der Swing Aera. Beinhalten ein Super Cooles Solo für die Saxophon Sektion und ein ausgeschriebenes Bass Solo. P...

Der Plunger Mute ist ein Dämpfer mit welchem sich wha-wha Effekte erzielen lassen. Unverkennbar wird dieser Klang im Chorus wie auch im Solo von Larry Neeck in eine schnellen Swingnummer eingearbeitet...

Diese Komposition im strengen Swing-Shuffle ist der Brüller ihres nächsten Konzertes. Der erste Trompeter sollte gut in der Lage sein ein geschriebenes D zu spielen. Das Stück lebt stark von den Impro...

Diese attraktive Swing Nummer eignet sich auch für junge Jazzensembles. Der Tonumfang der Stimmen ist anspruchslos, alle Register haben interessante Stimmen. Einem Musiker ihrer Wahl kann der offenen...

This one is way cool, but the energy it creates is hot. It's a medium tempo swinger in a minor key, reminiscent of some of the great Buddy Rich tunes. Just when you think you know where it's going, th...

Terrific swing chart for developing bands where the spotlight is constantly changing as every section gets a chance to shine. Ranges are not demanding (trumpets never leave the staff) and an open solo...