Spartiti per orchestra jazz

Questa splendida versione di Hot Toddy proviene dalla Ted Heath band e vede protagonisti il baritono e la seconda tromba. Il brano si apre con una linea di bari rimbombante sostenuta da battimani dell...

Resa famosa dalla Tommy Dorsey Orchestra, la nostra versione di Sunny Side of theStreet è tratta dalla versione eseguita dal grande Syd Lawrence. La forma e la struttura si basano sulla versione origi...

5-4-4-4 + Full Score (+ opt. Violins, add. Clarinet)

Hier präsentieren wir Ihnen Original-Arrangements der 'Dani Felber Big Band'. Die Band ist wohl derzeit eines der erfolgreichsten Tanzorchester Europas. 2007 wurde der sympathische schweizer Bandleade...

Hier präsentieren wir Ihnen Original-Arrangements der 'Dani Felber Big Band'. Die Band ist wohl derzeit eines der erfolgreichsten Tanzorchester Europas. 2007 wurde der sympathische schweizer Bandleade...

Big Band.

2 ottavini/2 flauti/2 clarinetti/2 fagotti/2 sassofoni soprano/2 sassofoni contralto/2 sassofoni tenore/2 trombe o cornette/2 tromboni/2 eufonii/2 violoncelli/flauto & oboe/flauto & fagotto/clarinetto...

This free-wheeling spin will have everyone tapping their toes and groovin' along with the band. The terrific interweaving lines between the sections sound very cool but are still very playable. Drew Z...

Riportate il suono di Maynard Ferguson con questo veloce brano jazz/rock di Pendowski. Mike ha fornito una parte opzionale di tromba aggiuntiva per la presenza di un solista ospite o per l'utilizzo de...

What a terrific way to teach the laid back ballad style of Neal Hefti's 'Li'l Darlin'!' The rhythm section has a brief soli section in the Shearing style, and you are encouraged to add vibe, if you ha...

Bob Curnow has arranged one of Shorty Rogers' hippest tunes. The melody is stated by Alto and Trumpet, and the whole chart has that wonderful 'West Coast' Feel to it. There is a neat section which fea...

As recorded on Shorty's CD Blues Express, this is a wonderful West Coast chart which features unison saxophone son the melody, solo space for alto sax, trumpet, trombone and a short solo for bass. Sho...

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

Big Band (5/3/3/4) Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At the time, he had his...

Movement V (of 7) of the Cuban Fire Suite. From Richards' magnificent suite written in 1956. The original score of Richards' was the source for this and all the movements of this suite. Features an ab...

Movement VI (of 7) of the Cuban Fire Suite. From Richards' magnificent suite written in 1956. Fire is probably the best way to describe this piece. A fantastic, dramatic opening (used for years by mar...

Movement IV (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The fourth of seven movements published by Sierra Music. The original score of Richards' was t...

Richards wrote this piece some years after writing the Cuban Fire Suite, but it is written very much in that vein (although it is much easier to play). It is a dynamic, energetic 6/8 Latin excursion w...

Movement VII ? (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The seventh of seven movements published by Sierra Music. This is the 'lost movement', whic...