Spartiti per orchestra jazz

8 komplette Arrangements passend zu einzelnen Titeln der Aebersold-Playalongs Vol.1, 2 und 88. Standard Bigband-Besetzung (5,4,4,Rhy) inkl. CD. Opt. Stimmen für Flöte, Klar., Horn in F, Tuba separat e...

8 komplette Arrangements passend zu einzelnen Titeln der Aebersold-Playalongs Vol.1, 2 und 88. Standard Bigband-Besetzung (5,4,4,Rhy) inkl. CD. Opt. Stimmen für Flöte, Klar., Horn in F, Tuba separat e...

8 komplette Arrangements passend zu einzelnen Titeln der Aebersold-Playalongs Vol.1, 2 und 88. Standard Bigband-Besetzung (5,4,4,Rhy) inkl. CD. Opt. Stimmen für Flöte, Klar., Horn in F, Tuba separat e...

8 komplette Arrangements passend zu einzelnen Titeln der Aebersold-Playalongs Vol.1, 2 und 88. Standard Bigband-Besetzung (5,4,4,Rhy) inkl. CD. Opt. Stimmen für Flöte, Klar., Horn in F, Tuba separat e...

This beautifully haunting Liebman original is a slow/moody jazz waltz, as arranged for Dave (soprano sax feature) and his big band by Pete McGuinness. It is also found on the NewYorkestra big band CD...

Sin Palabras' (Without Words) was written for Rich's 'Bad Little Big Band'. Relaxed Latin style. All high notes on the recording are optional and all solos are written out.

This Medium/Fast blues in Fm provides a solid big band ensemble study for your students. The writing contains plenty of call and response between sections.

This Medium/Fast blues in Fm provides a solid big band ensemble study for your students. The writing contains plenty of call and response between sections.

All aboard! This classic folk melody is given a modern setting by award-winning writer Fred Strum. The steady beat and even lines are spiced up with occasional stop time. You wont want the ride to end...

All aboard! This classic folk melody is given a modern setting by award-winning writer Fred Strum. The steady beat and even lines are spiced up with occasional stop time. You wont want the ride to end...

A powerful funk chart is very well written and offers a contemporary sound your students will love with a two chord solo section that all of your students can handle. Includes an optional flute part....

Medium tempo 12-bar blues featuring string bass, of course. The bass soloist states the melody as written, then gets off following an ensemble chorus. Ad-lib solo segments include trading 'fours' with...

Another D-flat blues, but this one's more laid back (as the title might imply) OI' th' Pocket' tempo (quarter note = 108-112); the chart starts the same as the one recorded on Roulette Records, Easin'...

This medium up-tempo blues features solos by flute, 4th trumpet , 2nd trombone, and 2nd tenor. It's a nice set opener to get things started vigorously. Your tenor sax soloist has to take it out with a...

Imagine Art Blakey's Jazz Messengers sitting in with Tito Puente's big band, and you've got Blue Mambo! While the rhythmic feel of the tune is absolutely Latin, the primary melody is a 24-bar long-for...

Imagine Art Blakey's Jazz Messengers sitting in with Tito Puente's big band, and you've got Blue Mambo! While the rhythmic feel of the tune is absolutely Latin, the primary melody is a 24-bar long-for...

Let It Groove is all about the pocket! The feeling of the chart is reminiscent of Herbie Hancock's Watermelon Man or Lee Morgan's Sidewinder. The bass line is anchored to the bass drum pattern, and th...