Musiche per strumenti

Children's Suite (Canons), Op. 65 was composed in the late 1890s. All eight movements of the suite are written in canon form and are accessible to pianists at the early advanced level. This edition in...

Le matin and Le soir were composed in 1895. The pieces feature contrasting sections, facile and flowing pianism, with cool and colorful endings. Both are excellent examples of Chaminade's charming and...

Concert pianist, composer, and master teacher Alexander Peskanov has written Spring Concerto as a bridge to the concerto repertoire that will help pianists at the intermediate level experience the joy...

This lively and fun piano duo features a catchy swung melody accompanied by a perpetual-motion boogie bass that is split between the hands. These parts are traded between the two players with slight v...

The well-known piano solo by Beethoven is enhanced with a second keyboard part in this late intermediate two-piano, four-hand arrangement. The second piano part written by E. L. Lancaster and Kenon Re...

The reflective mood of this piece for early intermediate piano ensemble---two pianos, four hands---is established in the introduction, with a flowing A minor quarter-note arpeggio in Part II. Part I e...

The reflective mood of this piece for early intermediate piano ensemble---two pianos, four hands---is established in the introduction, with a flowing A minor quarter-note arpeggio in Part II. Part I e...

The pastoral scene on the cover of this piece for intermediate piano ensemble, two pianos, four hands, is reflected in the lyrical music by composer Randall Hartsell. The melody in G major is played i...

Two intermediate level pianists at two separate pianos will enjoy performing this 'fast, festive' dance-like piece in 3/4 time, with both artists having melodic duties while covering higher and lower...

Two intermediate level pianists at two separate pianos will enjoy performing this 'fast, festive' dance-like piece in 3/4 time, with both artists having melodic duties while covering higher and lower...

This early advanced piano duet for two pianos, four hands is in theme and variation form. The theme is stated quietly by Piano II with legato chord accompaniment in Part I. Each variation presents a d...

This early advanced piano duet for two pianos, four hands is in theme and variation form. The theme is stated quietly by Piano II with legato chord accompaniment in Part I. Each variation presents a d...

This is a light and rhythmic dance in F major for early intermediate piano duet---two pianos, four hands. In ABA form, melodic passages and accompaniment patterns are exchanged between the parts. Two...

This challenging late intermediate piano duet for two pianos, four hands is energized by syncopated, accented chords over eighth-note octaves. It is in the key of A minor and 4/4 meter, with a quieter...

A popular song from the late 19th century operetta, The Fortune Teller by Victor Herbert is arranged by Mary Elizabeth Clark for early intermediate piano duet - -two pianos, four hands. This lively an...

National Federation Selection 2004-2006. Impressive, showy solo with second piano accompaniment. Three movements. (Two scores included)

A simple melody by Irving Berlin in F major and 4/4 meter is arranged for intermediate piano ensemble---two pianos, four hands---by Mary Elizabeth Clark. Two copies of this four-page piece are include...

A simple melody by Irving Berlin in F major and 4/4 meter is arranged for intermediate piano ensemble---two pianos, four hands---by Mary Elizabeth Clark. Two copies of this four-page piece are include...

Moderately fast five-finger passages are predominant in this late elementary piano ensemble---two pianos, four hands. In ABA form, the piece begins in G major and modulates to C major for the rhythmic...

Moderately fast five-finger passages are predominant in this late elementary piano ensemble---two pianos, four hands. In ABA form, the piece begins in G major and modulates to C major for the rhythmic...

From the Czech composer Antonín Dvorák.

From the Czech composer Antonín Dvorák.

Two intermediate level pianists, at two separate keyboards, will indeed 'hear no evil' in this laid back 12/8 blues, but instead only sweet, relaxed dotted blues rhythms and a full, rich use of two in...