Jack Adler-McKean
The Techniques of Tuba Playing
Jack Adler-McKean
The Techniques of Tuba Playing
- Formazione tuba
- Edizione spartiti con online audio e online video
- Compositore Jack Adler-McKean
- Casa Editrice Bärenreiter Verlag
- Numero d'ordine BVK2421
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Descrizione:
This book on the tuba is a companion for composers and players alike, deepening their understanding of this somewhat neglected family of instruments. It gives tuba players an opportunity to master and employ new performance techniques on their instrument, particularly in contemporary music.
Jack Adler-McKean offers helpful instruction in various tuning mechanisms, resonance properties, new forms of notation and contemporary practices. Using the most recent research, he subdivides and reconstructs processes of sound generation and modification to display the broad range of tonal possibilities in the tuba family, many of which can also be applied to other brass instruments.
The text is illustrated with numerous music examples and diagrams and is supplied with instructive audio samples which can be downloaded from the Bärenreiter website.
Jack Adler-McKean offers helpful instruction in various tuning mechanisms, resonance properties, new forms of notation and contemporary practices. Using the most recent research, he subdivides and reconstructs processes of sound generation and modification to display the broad range of tonal possibilities in the tuba family, many of which can also be applied to other brass instruments.
The text is illustrated with numerous music examples and diagrams and is supplied with instructive audio samples which can be downloaded from the Bärenreiter website.
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Geleitwort
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I. Einleitung
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II. Die Tubafamilie: ein kurzer Überblick
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III. Ventile und andere Stimmmechanismen
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IV. Resonanzeigenschaften und Notationsprinzipien
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V. Klangressourcen I: Grundlagen der Klangerzeugung
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VI. Klangressourcen II: mikrotonale und nicht-gleichstufige Klangerzeugung
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VII. Klangresssourcen III: Erzeugung von Luftgeräuschen (ohne Lippenton-Klangerzeugung)
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VIII. Klangmodifikation I: Lippen und Gesichtsmuskulatur
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IX. Klangmodifikation II: Zunge, Vokaltrakt und weitere Muskeln
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X. Klangmodifikation III: Instrumentalmechanik
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XI. Klänge und Modifikationen von außen I: Vokalisierung und andere Körperaktionen
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XII. Klänge und Modifikationen von außen II: zusätzliche Ausrüstung
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XIII. Anhang
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