Spartiti per oboe

Fritz Flemming (1873 - 1947) was principal oboist of the Berlin State Opera, several years a member of the Bayreuth Festival Orchestra and instructor of oboe at the Berlin Hochschule. He is a pioneer...

Die melodischen Studien für Oboe von Fritz Flemming sind eine willkommene Ergänzung zum Unterricht. Mit der leichten Klavierbegleitung bietet Flemming eine gute Möglichkeit, einen Klavierschüler mit e...

Fritz Flemming wurde am 9. März 1873 in Braunschweig geboren. Er studierte in Paris Oboe bei Georges Gillet. 1897 berief man ihn als Solo-Oboisten an das Königliche Opernorchester in Berlin. Einige Mo...

Mit 2. Oboe als Begleitstimme (aus ZM12000-12020) Die Auswahl der Flemming-Duette ist aus der Praxis erwachsen und sinnvoll. Die Oboenduette machen Spaß, sei es im Zusammenspiel mit dem/r Lehrer/in od...

Many oboists know the feeling when quick passages especially in the third octave appear as black stripes where single notes and fingerings are no longer perceptibel and cannot be separated one from th...

Skilful Solos può essere considerato il seguito di Starter Solos. Suonare con l'accompagnamento è un lavoro di squadra che sviluppa la capacità di ascolto e di reazione. Skilful Solos è indispensabile...

E' importante praticare le scale, perché aiutano a sviluppare la tecnica e il senso della tonalità. In Scales Under Construction vengono proposte tutte le scale maggiori fino a tre diesis e tre bemoll...

Every player of a wind instrument probably wishes they could play the lead part in a professional concert band. With this book this wish can be fulfilled. It contains wonderful concert works from the...

Ce n'est qu'un au revoir - Abschiedslied

Ce n'est qu'un au revoir - Abschiedslied

Oboe and pop music - how does that fit together? At least, there are some examples (e.g. Tanita Tikaram: Twist in my sobriety, 1988). In the book presented here, Bernd Holz, who plays the oboe with th...

They include this trio sonata written specifically for two oboes and bass. The extent to which wind instruments were cultivated in Italy in the early eighteenth century is today often not appreciated,...

Boismortier has imbued his Op. 28 sonatas with the same elegance, melodic and harmonic interest, and contrapuntal ability that characterise his other 'Italian' trio sonatas, and the works are technica...