Spartiti per strumenti a fiato

Jazzworks, written by Andy Hampton and arranged for tenor saxophone with piano accompaniment in digital sheet music format. This piece is presented with extra helpful soloing guides to create authenti...

Leave The Hoovering For Now, Honey, written by Andy Hampton and arranged for tenor saxophone with piano accompaniment in digital sheet music format. This piece is presented with extra helpful soloing...

Nearly Fabulous, written by Andy Hampton and arranged for tenor saxophone with piano accompaniment in digital sheet music format. This piece is presented with extra helpful soloing guides to create au...

Not That Much, written by Andy Hampton and arranged for tenor saxophone with piano accompaniment in digital sheet music format. This piece is presented with extra helpful soloing guides to create auth...

Sergeant Swing, written by Andy Hampton and arranged for tenor saxophone with piano accompaniment in digital sheet music format. This piece is presented with extra helpful soloing guides to create aut...

Tenor Saxophone, Piano I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'sho...

Alto Saxophone, Piano I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'shor...

Alto Saxophone, Piano A Jazz waltz (dedicated to my uncle who was so benevolent during my early stages!) that may remind Erik Satie's Gymnopédies or the famous 'Bluesette' from Toots Thielemans

Tenor Saxophone, Piano A Jazz waltz (dedicated to my uncle who was so benevolent during my early stages!) that may remind Erik Satie's Gymnopédies or the famous 'Bluesette' from Toots Thielemans

Alto Saxophone, Piano During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The 'Twinning' is exploited to make...

Tenor Saxophone, Piano During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The 'Twinning' is exploited to make...

As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style - Ala...

As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style - Ala...

The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but...

The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but...

A piece for instrumentalists with 6 years of musical experience. - Instruments: 1 Alto Saxophone 1 Piano - Difficuly Level: Grade 4 - Duration: 2 mn 05 s - Musical Style: Classical, Jazz, Educational...

Le "Hörbilder" (Immagini sonore) sono state curate da Irith Gabriely, che ha arrangiato tutti i brani con una ricca varietà musicale. I singoli pezzi possono essere suonati separatamente o facilmente...

Ein zeitgenössisches Stück, das Jazz, zeitgenössische und kontrapunktische Effekte miteinander verbindet unter Verwendung von Odd-Times und Swing Jazz.

Ein zeitgenössisches Stück, das Jazz, zeitgenössische und kontrapunktische Effekte miteinander verbindet unter Verwendung von Odd-Times und Swing Jazz.

Strumentazione: quartetto di sassofoni Edizione: partitura e parti Anno: 1976 Difficoltà: media Un brano contemporaneo che unisce effetti jazz, contemporanei e contrappuntistici utilizzando tempi disp...

This Sonatina for Alto Saxophone and Piano joins a series of Sonatinas I have written over the years for various instruments. I first met George Hewett at the Dorset Opera Festival where I have direct...