Spartiti per strumenti a fiato

Per coro di flauti, partitura 6 p. e parti. Ascoltate il campione audio per avere un'impressione immediata del suono di questo arrangiamento. Derivata dalla polka, la polka mazurka è una danza a sé st...

Per quartetto di flauti, partitura 4 p. e parti. Ascoltate il campione audio per avere un'impressione immediata del suono di questo arrangiamento. Derivata dalla polka, la polka mazurka è una danza a...

Partitura 16 pagine e parti. Questo valzer risale agli anni in cui Erik Satie si guadagnava da vivere suonando il pianoforte nei caffè di Montmartre. Scritto originariamente per pianoforte, combina el...

Partitura 10 pagine e parti. Questo valzer risale agli anni in cui Erik Satie si guadagnava da vivere suonando il pianoforte nei caffè di Montmartre. Scritto originariamente per pianoforte, combina el...

Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

Composed by Johann Sebastian Bach (1685-1750), transcribed by Georges Barrere.

The music of Carl Philipp Emanuel Bach, unlike that of his famous father Johann Sebastian or that of the master he influenced, Haydn, did not define an era so much as reveal a deeply personal response...

A collection of 21 pieces by great composers, easy-to-medium difficulty in progressive order, most were originally written for flute. Selected and edited by Louis Moyse. Piano accompaniment.

A collection of Flute music from the Baroque era, selected, revised and annotated by Louis Moyse. Includes music by Johann Joachim Quantz, C. P. E Bach and Frederick the Great.

A collection of 37 pieces arranged in progressive order for Flautists in the early grades with Piano accompaniment. Contains many well known classics by Mozart, Bach, Beethoven, Handel, Chopin and oth...

The Six Sonatas for Flute and Piano presented in this edition were written by Mozart when he was eight years old. They are dedicated to the Queen of England. Edited by Louis Moyse.

Volume 1 of Bach's Sonatas for Flute. This book contains the sonatas in B Minor, E Flat Major, A major and the unaccompanied A Minor Sonata. They are edited, with a realisation of the figured bass, by...

Volume 2 of Bach's Sonatas for Flute. This book contains the sonatas in G Minor, E Major, C major and E Minor. They are edited, with a realisation of the figured bass, by Louis Moyse.

Seventeen 19th Century Masterpieces for Flute And Guitar arranged by Michael Karp. Includes 'Humoreske' by Dvorak, and 'Pomp And Circumstance March' by Elgar among other great pieces.

This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano, edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampli...

A collection of favourite encores, selected and transcribed by James Galway for Flute with Piano accompaniment. Includes 'Annie's Song', Faure's 'Berceuse' from the Dolly Suite and the first movement...

Contents: Fantasia in A Major - Fantasia in B minor - Fantasia in B-flat Major - Fantasia in C Major - Fantasia in D Major - Fantasia in E minor - Fantasia in D minor - Fantasia in E Major - Fantasia...

Sixteen pieces from the Classical era for the slightly unusual combination of Flute and Guitar, arranged by Michael Karp. Includes pieces by Mozart, Beethoven and Clementi. Separate Flute part.

These Three Concert Duos for two Flutes are early-Romantic in style. They have been revised and edited by Louis Moyse.

The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few ye...

Edited by James Galway. Piano reduction by Phillip Moll.

Vivaldi's depiction of Summer is here arranged by for James Galway for Flute and Piano. It begins with begins with everyone wilting in the burning sun. The cuckoo, dove, turtledove and goldfinch sing...

Three stirring Nocturnes by Field, Chopin and Boulanger, arranged by James Galway for Flute and Piano.

Marais, a 17th-Century composer and Bass Viol player wrote these variations for the specific purpose of having them transcribed for other instruments. The theme they were based on was very well-known...