Spartiti per strumenti a fiato

The contents of the Solo Sounds folios features works on State Contest lists for each instrument (and pieces that are likely list candidates). Two folios are available for each instrument (flute, clar...

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both stud...

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both stud...

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both stud...

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both stud...

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both stud...

In this volume we provide a wide selection of pieces with piano accompaniment, mainly for players in the first 3-4 years of their instrumental studies. In addition to original pieces for clarinet (e....

The composer writes the following about this work: 'As if we could only walk sideways in a tilted force field, Petruska-Harlequin in my piece evokes waltz fragments on a capsized 'Titanic', or Berlioz...

Variations on a Double is a real musical leviathan: almost an hour long, it is a sound-monstrosity that makes exceptional demands of the performers, and is the product of an unusual degree of fusion o...

The first pieces among the 15 Bagatelles were written at the request of Béla Kovács. For his clarinet school he asked for little pieces that would introduce students to the typical innovations of the...

Gergely Vajda composed Lightshadow-trembling at the age of 20 in 1993. Being a clarinettist, he was interested in the possibilities of both traditional and modern ways of playing. Noise elements and s...

I wrote my solo clarinet piece Persistent Dreams in 1991 before my 'Opus 1' Lightshadow-trembling, inspired by Salvador Dal 's painting La persisténcia de la memória. The musical equivalent of the inf...

Both pieces in the present volume are transcriptions from Béla Bartók s Ten Easy Piano Pieces, a series composed for pedagogical purposes in 1908. Their themes are reminiscent of Hungarian and Slovak...