Ensemble

Ogni band ha bisogno di sperimentare il blues! Ecco un classico riff di Clifford Brown in un fantastico arrangiamento per gruppi in via di sviluppo. Ottimo per imparare a improvvisare e le figure d'in...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

Few purely instrumental tunes ever reach the level of popularity achieved by this familiar '60s hit by Booker T. and the MG's. Often used in TV and film, this infectious tune has a bluesy groove that'...

Uno shuffle a 166 BPM, questo è un brano per due sax tenori - non un duello, ma un veicolo per mettere in mostra entrambi i tenoristi. Vengono forniti assoli di esempio e la gamma della tromba solista...

Ecco un classico del jazz imperdibile che è stato eseguito praticamente da tutti gli artisti jazz, dal compositore W.C. Handy e Glenn Miller a Herbie Hancock. Questo perché si tratta di un brano intel...

A medium shuffle blues (quarter note = 132) in D-flat scored for the Basie Orch in 1957. This chart was featured in the Jerry Lewis film 'The Errand Boy.' The chart features solos for Tenor (not heard...

Recorded by Count Basie & His Orchestra in the late 1960's, this classic blues for developing ensembles features written or ad lib solos for trombone and drums. Midway through, shortly after the tromb...

Brass and sax unisons, easy figures and a rich harmonic structure will make this a big hit with everyone. The primary solo is reserved for trumpet (optional written solo provided), but piano adds some...

This dynamic blues shuffle offers optional written solos for alto, tenor, trumpet and/or trombone; the piano player has written solos at the beginning and end as well. For this chart to sound its best...

Listed in Teaching Music through Performance in Jazz (GIA Publications) and recorded by the Thad Jones/Mel Lewis Jazz Orchestra on their Central Park North album, this great collaboration between band...

Wayne Shorter's hypnotic minor blues (recorded by Miles Davis) has become a true jazz classic and required literature for the jazz musician. Arranged here using an medium, straight 8th-note groove, th...

UN BEST SELLER!!! Le melodie e le ritmiche di Metheny sono perfette per le Big-Band. Questo brano è semplicemente RUMOROSO!!! Può ospitare fino a 3 solisti, ha grandi cambi e una scrittura d'insieme e...

The Average White Band created this funky classic. Phil Collins commissioned a full big band version from Arif Mardin who produced the original album for the AWB. From the album 'A Hot Night in Paris'...

Absoludicrous" di Gordon Goodwin è un brano assolutamente alla moda e divertente, suonato a 120 BPM. Il pianoforte elettrico suonerà benissimo sull'introduzione funky del pianoforte. Gli assoli scritt...

This is the unmistakable number 1 hit from the 70's group Average White Band! Mark's ultra-funky and ultra-cool chart written in classic horn band style showcases the familiar licks and hot rhythmic g...

Ask the proverbial musical question with this Tower Of Power trademark tune and let your band roar on the answer. Carefully adapted for younger players, this funk chart will be an instant hit with you...

Originally recorded by Rose Royce in 1977, this well-known funky hit is enjoying new life in the hit movie Shark Tale recorded by Christina Aguilera and Missy Elliott.

Gotta have this one! Composed by Grammy winner and jazz legend Herbie Hancock, arranged for you by Alan Baylock, this is funky and hip. Open solo space for all, lead trumpet goes up to written D, plus...

Se volete suonare le classifiche di Gordon Goodwin ma sono troppo impegnative, date un'occhiata a questa! Composto e arrangiato dallo stesso Gordon, specificamente per il livello della scuola media o...

Un groove di ottava dritta un po' funky e una melodia orecchiabile a 130 BPM: ecco un brano vincente. Presenta assoli scritti per tenore, tromba 2 o chitarra, gamma di trombe soliste fino al La scritt...

Here's an example of a tune that was so corny in the '70s that now it's 'cool' in the '90s. And you'll have to admit that John Berry's treatment for jazz ensemble is fun to play.

Originally recorded by Sam and Dave, and made popular by The Blues Brothers, this well-known rhythm and blues workhorse is a natural for jazz ensemble. In the skilled hands of Roger Holmes, this one f...