Ensemble

Flute Trav. etVIBRAPHONE - Flute Et Percussion

The title of the Sextet has been borrowed from the medical profession, referring to a clinical sleep study. Brett Dean, however, proves to be less of a cool, analytical dissector of man's inner worlds...

For high voice and chamber ensemble (flute, harp, piano, violin, viola and cello).

S solo; Fl, Pno, Hrf, Vl, Va, Vc

For flute/piccolo, violin, vibraphone/marimba and piano.

For violin, viola, cello, piano and percussion.

Das Stück L'Alcenagina ist nur eines unter vielen, die in Anlehnung an Palestrinas berühmtes Madrigal Vestiva A Quatro Voci entstanden ist. Wie La Feliciana lohnt es aber die Mühe des Übens. Mittelsch...

. . . a genuinely atmospheric, highly allusive, tautly organized suite of dance references. Maw's titles and tempo indications suggest a fashionably vampiric nightmare, but the music sounded warm and...

Maw's harmonic eloquence and rhythmic fervour crystallize the initial agitation to become a flowing vocal line coloured by the writing for flute, viola and harp, the words borne aloft like a continuat...

Nicholas Maw’s The Head of Orpheus (1992) is a 6-minute setting of a poem by the American poet Robert Kelly for high voice and two clarinets. Written for Mary Wiegold and the Composers Ensemble,...

It has a lucidity and balance, a subtle refinement of substance and texture. . . it is a work that will no doubt quickly establish, or certainly ought to establish, a regular place in what is a surpri...