Ensemble

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

Paying tribute to the wonderful music created by Pat Metheny and Lyle Mays in the 1980's and 90's (notice the wordplay in the title), this driving original for medium advanced bands features an energe...

Paying tribute to the wonderful music created by Pat Metheny and Lyle Mays in the 1980's and 90's (notice the wordplay in the title), this driving original for medium advanced bands features an energe...

Paying tribute to the wonderful music created by Pat Metheny and Lyle Mays in the 1980's and 90's (notice the wordplay in the title), this driving original for medium advanced bands features an energe...

This modern straight-eighth feel chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an imp...

This modern chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an improvised conversation...

From jazz saxophonist Eric Alexander's most recent album, 'BE COOL', Steve Briody's 'Footsteps' features a contemporary jazz Latin groove written at a moderate level to provide a welcome addition to y...

Bob Curnow brings you yet another epic Metheny/Mays masterpiece. Complete with beautiful melodies, evolving grooves, plenty of solo space, and the always-anticipated and exciting ensemble sections, th...

Neil Slater has created a marvelous composition. It can be heard on Lab '91, as recorded by the University of North Texas One O' Clock Lab Band. 'Values' opens with a stirring, slow theme and then mov...

New to Sierra Music, composer/arranger Jamey Simmons brings a great, new original, 'Greasin' the Skids', set to a New Orleans 2nd Line Feel (with momentary switches to a swing feel). Ranges and rhythm...

Here is a very clever and catchy original Latin composition from one of our newer composers, Jamey Simmons. Set in a couple of different feels, this chart is playable by most bands due to written out...

Questo schema si aggiunge alla crescente collezione di schemi dei Radiohead che ha fornito alle bande di tutto il mondo scelte meravigliose e uniche per i loro programmi di jazz band. Patty Darling ha...